Photo By Gail
Zoe Buckman (b. 1985) weaves together stories of friendship, trauma, and resilience in multidisciplinary works that explore the undercurrents of women’s lives. The artist uses a range of materials, many related to sewing and textile traditions, historically executed by women in their homes. Continue reading Modern Art Monday Presents: Zoe Buckman, In Full Command of Every Plan You Wrecked
Photo By Gail
Decades after completing his most famous painting — a depiction of a pipe inscribed This is Not a Pipe — Rene Magritte here revisits this iconography with The Shadows (1966). The same masculine- identified object covers ominously behind a tree, inspired by a Surrealist play with arbitrary scale, and what the artist would term the “logic“ of dreams.
Photographed in the San Diego Museum of Art.
Photo By Gail
If you think television has always been a little too obsessed with beauty ideals, you’re not wrong — and artist Luis Jiménez saw it coming from a mile away. His sculpture Blond TV Image (1967) captures that uneasy relationship between media, technology, and the female form with biting humor and Pop-era flair. Continue reading Modern Art Monday Presents: Blond TV Image By Luis Jiménez
All Photos By Gail
Made from redwood and pine found in the artists Northern California backyard, Jeremy Anderson’s Riverrun (1965 ) was inspired by his fascination with intestinal forms, medical school models, and the elongated figures in old comic books like Plastic Man (1941 – 1956) and Powerhouse Pepper (1942 – 1948).
Continue reading Modern Art Monday Presents: Jeremy Anderson, Riverrun
All Photos By Gail
Monsters are usually pictured as scary creatures that represent the unknown. They stoke our deepest fears. Lee Bul’s version, Monster: Black (1998 – 2011) , harnesses sequence, crystals, dried flowers, and glass beads to create a defiant figure of social liberation.
Continue reading Modern Art Monday Presents: Lee Bul, Monster: Black