Influenced by Piet Mondrian’s work from the 1910s and 1920s, American artist Burgoyne Diller (1906 – 1965) devised his own abstract formats in the 1930s. Divided into groups called “First, Second, and Third Themes,” Diller’s three series explore the sense of movement generated by different arrangements of geometric forms within a square. Second Theme pictures, such as this one (1938 -40), feature a grid system with rectangular bands of differing widths extending across the canvas.
Photographed the Metropolitan Museum of Art in NYC.
Over at digital arts community B3ta, a user challenged others to create images of fake video games based off of famous artworks. The results are pretty phenomenal, but one user who goes by HappyToast envisioned a version of Pong set inside a Piet Mondrian painting. After seeing the GIF, designer Kristiana Hansen instantly set out to program the real thing. So here you have it: 2 Player MondriPong 1.2.
Made at height of the heated discussions on abstraction that took place around the artists’ group Cercle et Carré (Circle and Square), which Torres–Garcia co-founded, Estructura En Color (Color Structure), 1930 is remarkable for the way it simultaneously corresponds to and since is it self from “pure” abstraction as it was conceived at the time. The structural grid of horizontal and vertical lines Torres-Garcia employs is similar to the compositional mode often practiced by Neo-Plasticists such his Piet Mondrian, but it is not nearly as “rational” as it is in contemporaneous work by Torres-Garcia’s younger peers. By multiplying the grid’s rectangles Torres-Garcia made a work that instead relates more closely to the stained-glass windows he designed early in his career while working at the Sagrada Familia church under architect Antoni Gaudi. Likewise, although blue, red, yellow, and white are signature colors of abstraction in the style of Mondrian, Torres-Garcia’s versions are voluntarily darker, earthier, and more somber. With these variations in color and form, his work boldly breaks away from the orthodoxy of modern abstraction.
Photographed in the Museum of Modern Art in New York City.
