Modern Art 1970 – 1974 is a cast-in-two-parts Bronze and Aluminum modular sculpture by American Sculptor and Visual Artist, Lynda Benglis. The work (created between 1973 and 1974) includes four individual sculptures that are identical in form while maintaining an organic feel. To me they look like molten lead, tongues or platypus bills.
Untitled 1989, by legendary minimalist Donald Judd is installed on the 4th floor of NYC’s Museum of Modern Art. As you can see, this very colorful painted aluminum sculpture reaches nearly across the width of the room and, in this way, allows the museum-goer an opportunity to spatially interact with its three-dimensional properties (short, of course, of climbing onto it). I love the bright, primary colors of this piece and the form reminds me of playground equipment, which is always a happy thing to consider.
In addition to his minimalist sculptures, Donald Judd wrote extensively about art, painted, and designed furniture. He was a great and highly influential artist. Judd died in Manhattan of Non-Hodgkin’s lymphoma in 1994, at the age of 65. We will be featuring another of Judd’s works, also a part of MOMA’s permanent collection, later on in this series.
Hey what’s up. Welcome, to the first installment of a new weekly series debuting today on The Worley Gig, which I am calling Modern Art Monday! Each Monday, I will be posting a classic piece of modern (or maybe not so modern) art photographed by me on a visit to MOMA (Museum of Modern Art) or any of the other fine art institutions right here in Manhattan — and elsewhere! Because, when it comes to art, I get around! Continue reading Modern Art Monday Presents: Pablo Picasso’s Head of a Warrior→
Legendary painter Ellsworth Kelly will celebrate ninety years on the planet on May 31st, 2013. In honor of his seven decades spent shaping and contributing to the world of modern art, Matthew Marks Gallery is hosting exhibits of Kelley’s work in three of its Chelsea gallery spaces. These paintings and sculptures are classic representations of Kelley’s signature Color Field works and his grounding in the minimalist school of painting. Continue reading Matthew Marks Gallery Presents Ellsworth Kelly at Ninety→