Sears & Roebuck released this colorful set of Pink Flamingos bed sheets in 1972, and it mysteriously disappeared almost as quickly as it hit store shelves. The sheets were made available two weeks prior to the release of the film, and within two months they were nearly impossible to find. Sales records indicated that only 500 to 800 units were sold nationwide, though Sears reports that over 5,000 units were actually produced. Where did all of the missing bed sheets end up? No one really knows, but it is speculated that they were pulled from shelves and junked by retail biddies who objected to the content of the film. Each set contained a fitted sheet, top sheet and two pillow cases.
While I can’t admit to being fan of every single John Waters‘ directed film (and I have seen most of them), I sure do appreciate his artistic aesthetic, and he seems like a cool person from what I hear. So, I was really excited to rush out to the Marianne Boesky Gallery in 15 degree weather to check out Waters‘ latest exhibit (and third at this gallery) which is called Beverly Hills John. This is an ambitious exhibit which showcases the director/artist’s work in a variety of mediums including photography, prints, collage, sculpture and film — all of which I found to be utterly delightful.
In boundary-pushing works that address Waters‘ obsession with Art, Pop Culture, Pulp Fiction Novels, the Film Industry and Gay Culture, his irreverent humor is evident everywhere you look; but he also gives you something to think about.
Or Thimk about.
In Congratulations (above), Waters riffs on the infamous red dot commonly used in galleries to indicate a sale.
Bill’s Stroller features a studded leather strap for securing baby and the stenciled names of various underground Gay Sex Clubs.
R.I.P. Mike Kelley is a tribute to the late artist, who committed suicide in 2012.
In Grim Reaper, Jackie O and JFK are trailed by Death as portrayed by Bengt Ekerot in the Ingmar Bergman film, The Seventh Seal.
Film Festival takes a famous film title and changes one word, making it grammatically incorrect while (in most cases) maintaining roughly the same meaning. Two detail shots are below.
Separate But Equal, (2014)
I have no comment for this one.
The absolute highlight of the exhibit (for me) is a new 74-minute video entitled Kiddie Flamingos, which is one of the most hilarious things I’ve ever seen in my life and is brilliant on so many levels. Kiddie Flamingos shows a table read of Waters’ X-rated 1972 cult film Pink Flamingos, rewritten as a children’s movie with an all-kid cast. Bluntly put: this video is mind blowing. Even if you can’t stay for the entire film, make sure you see at least 15 minutes of it, because it is just insane. According to the press release, “Waters hopes that this defanged and desexualized sequel is even more perverse than the original, transferring innocence into a new kind of joyous, G-rated obscenity.” Seriously, don’t miss this exhibit.
John Waters: Beverly Hills John will be on Exhibit Through February 14th, 2015 at Marianne Boesky Gallery, Located at 509 West 24th Street in the Chelsea Gallery District.
Like Paul McCarthey’s ill-fated Butt Plug Tree, I like art that pushes boundaries. That’s what I found in abundance when Geoffrey and I made the scene last Saturday at Flag Art Foundation in Chelsea for the opening reception of a group show they call Disturbing Innocence. It was definitely disturbing.
Curated by Eric Fischl, Disturbing Innocence features over 50 historical and contemporary artists whose use of dolls, toys, mannequins, robots, and other surrogates forms a deep and powerfully expressive genre. The exhibition poses profound questions surrounding social constructs of youth, beauty, transformation, violence, sexuality, gender, identity, and loneliness.
Inspired by Fischl’s own childhood in suburban Long Island, NY, and his early career as an artist working in New York City in the 1980s, Disturbing Innocence presents a subversive and escapist world at odds with the values and pretensions of polite society. Ninety percent of the art on display is not for the easily offended, but if you are open minded and appreciate stuff that is a bit — or a lot — twisted, then this will be your thing.
Let’s take a look at some highlights from the show!
This snow globe features the serene, wintery scene of one clown standing on the back of another clown in order to commit suicide by hanging himself. Because clowns are scary!
I call this one Nude Rapunzel, because none of the names of the art/ artists were posted adjacent to the works, which is just lazy if you ask me. Or, rather, it makes me feel lazy for not scouring the interwebs thoroughly enough to glean the name of the artist/piece.
Here is one of the less disturbing pieces in the show: it looks like an exploding plastic bag trapped inside a cage.
Here is a closer look. I like it.
Look! It’s baby Michael Jackson post-plastic surgery disaster. Let’s find out who his playmate is.
Why, it’s baby Charles Manson! Oh, the cuteness.
This one is just insane.
I did a Google image search of “Sculpture made of breasts” to try to find the name /artist of this piece and got about 100 hits, none which were this sculpture.
This piece, which is a video of a talking head projected against a split sphere, really reminded me of the talking statues in the Haunted Mansion at Disneyland. It’s the same technique used to give the mannequins expressive faces at the Brooklyn Museum’s Jean Paul Gaultier exhibit last year.
This functional Nutcracker Doll might be a bit big to keep on hand in your kitchen, but it sure would be a hit at your holiday party!
This sculpture of Siamese Twin Girls was the most disturbing piece in the show, for me. I wish I knew more about it.
I think that all of these sculptures and tableaus, such as the one-armed child above, are perhaps meant to make us more comfortable with seeing and being around people that look different from ourselves. I don’t know that there are any definitive answers, but Disturbing Innocence at the very least aims to start a conversation.
Find out more about Eric Fischl and artists involved in Disturbing Innocence by visiting This Link.
Disturbing Innocence will be on Exhibit Through January 31st, 2015 at Flag Art Foundation, Located at 545 West 25th Street, 9th Floor, in the Chelsea Gallery District. Gallery Hours are Wednesday through Saturday, 11:00 AM – 5:00 PM.