Tag Archives: 1946

Pink Thing of the Day: Tribute to Miss Yvonne by El Gato Gomez

miss yvonne by el gato gomez
Art By El Gato Gomez

Lynne Marie Stewart, the actress best known for her role as Miss Yvonne on Pee-wee’s Playhouse, passed away peacefully at her Los Angeles home on February 21, 2025, at the age of 78, after a brief illness.

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Eye On Design: Cisitalia 202 GT Car

cisitalia 202 gt car photo by gail worley
All Photos By Gail

The first car to enter MoMA’s collection, in 1972, the Cisitalia 202, designed in 1946 by Battista “Pinin” Farina (known as Pininfarina) is also the rarest – only approximately 170 of them are known to have been made. Continue reading Eye On Design: Cisitalia 202 GT Car

Eye On Design: FSW Folding Screen By Charles and Ray Eames

fsw folding screen by charles and ray eames photo by gail worley
Photos By Gail

Recalling the organic folds of heavy drapery, the self-supporting FSW Folding Screen by Charles and Ray Eames (1946) offers an elegant way to divide a room by screening off objects and activities. The screen could also serve as a backdrop for other furniture.
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Modern Art Monday Presents: Charles Sheeler, Incantation

incantation by charles sheeler photo by gail worley
Photo By Gail

Charles Sheeler (18831965) saw the modern equivalent of the imposing religious architecture of the past in the expansive, streamlined masses of factory buildings and refineries. Incantation (1946), whose very title sounds like a spiritual evocation, is a fragmentary view of a continuous-flow oil production plant. Here, Sheeler reduced the architectural forms to a more two-dimensional design in which shadows play as weighty a role as the metal tanks and pipes. The lack of a human presents suggest the degree to which these vast plants had come to be viewed as nearly autonomous forces.

Photographed in the Brooklyn Museum.

Modern Art Monday Presents: Jean Dubuffet, Four Figures

four figures photo by gail worley
Photo By Gail

Jean Dubuffet (19011985) sought to replicate the immediacy of the art of the untutored. In this sheet, he incised four figures into a ground of opaque watercolor, exposing the sandpaper he used as a support. The technique shares more with graffiti and the scrawls of children than with academic drawing. The artist once remarked, “When I say ‘draw,’ I’m not to the slightest degree thinking of faithfully reproducing objects . . . No, its a matter of something quite different: to animate the paper, to make it palpitate.”

Photographed in the Morgan Library in Manhattan.