The Bench I I a (2017) by designer Max Lamb is one of the first prototypes made from solid textile board, a material composed of waste cotton. Lamb created this piece for Really, a Danish company that focuses on upcycling discarded textile waste.
Really mills used textiles into small fibers that are then bonded together with a special agent. The dark blue color of this bench comes from the cotton material, which is discarded denim. The bench is at once a functional object and a conversation starter regarding the reuse of waste materials. The museum installation includes a video (iPad screen seen above) in which Lamb discusses the making of the Really collection of furniture.
From the outset of his singular career, designer Marc Newson has pursued parallel activities in limited and mass production of functional design objects. Revisiting his roots as a jeweler and silversmith in an exhibition at Gagosian Gallery in Chelsea, Newson explores increasingly rare decorative techniques at an unconventionally large, even unprecedented, scale.
Newson’s Cast Glass Chairs (2017), made in the Czech Republic, are continuous symmetrical forms comprised of two hollow quarter-spheres. The boldly colored upper halves rest on clear bases, which absorb some of the reflected hues in their clouded interiors, an effect that subtly changes depending on the viewer’s vantage point.
When You Just Get Tired of Waiting for that Final Person to Move Out Of Your Way
Photographed in the Gagosian Gallery, Located at 522 West 21st Street, Chelsea Gallery District, NYC· The Chairs are on View in the Gallery as Part of a Larger Exhibition of Newson’s Limited-Edition Furniture and Artworks, Through February 20th, 2019.
Abstract Browsing 17 03 05 (Google) (2017) is a machine woven tapestry depicting an abstract version of the Google browser’s interface. To produce his Abstract Browsing series, Rafaël Rozendaal created a plug-in for Google’s Chrome Browser. Available to anyone online, it reduces images and text on any website visited to colored rectangles. The artist surfs the web every day using his plug-in and compiles thousands of screenshots, which he then narrows down to a small selection to be produced as tapestries
The tapestries are created at the Textile Museum in Tilburg, the Netherlands, where Rozendaal’s screenshots are converted into a file for output by a weaving machine. His project connects layers of machine abstraction: the initial transformation of the webpage exposes a composition optimized to grab our attention, while the tapestry references the roots of computing in nineteenth-century weaving machines that automated the creation of patterns.
Since the 1980s, Deborah Kass has riffed on modern artworks by famous white men to reflect her experience as a Jewish lesbian. Here, Kass remakes Robert Indiana’s LOVE (itself a coded homage to queer male desire) with the twinned words Oy (a Yiddish exclamation of alarm or bother) and Yo.
The artist considers herself to be a “total, absolute, 100 percent provincial New Yorker.” This work uses the city’s culturally specific, yet universal lingo to communicate the collective pride and exasperation of living here. Originally conceived as a monumental sculpture, it was installed for limited time in Brooklyn Bridge Park. OY/YO (2017) became an instant New York icon and photo op for tourists and residents of al backgrounds, for whom the pluralist spirit of the double-sided interjection resonated deeply
Photographed in the Jewish Museum in Manhattan. Note that This Work is Currently On View In Front of The Brooklyn Museum (as of 10/1/18).
If this tall, minimalist figure by UK artist STIK looks familiar to you, it might be because you’re seen his likeness before Here and Here. This mural, known as the Migrant, has been on view for a year already (since June of 2017) and can be seen on the seven story building at the southeast corner of Delancey and Allen Streets (which is also known as Avenue of the Immigrants). You can read more about the mural at This Link!
Detail of Window Celebrating The American Museum of Natural History (AMNH) All Photos By Gail
On the Saturday that NYC experienced its first snowfall of the 2017 Holiday season, I strolled by the Bergdorf Goodman windows on Fifth Avenue on my way to see a movie at the Paris Theatre. Even in the snow and related bluster, the sidewalks were clogged with tourists lined up to take photos and selfies in front of this gorgeous tableau, and you can see why! Check Them Out!
Red Neon Tribute to The New York Philharmonic
Bergdorf Goodman’s holiday window displays have long been a festive cornerstone on Fifth Avenue and this year, the department store continues its tradition of visual storytelling with an exhibit titled To New York, With Love. Each window is dedicated to a world-renowned NYC cultural institution, such as the New York Philharmonic, the American Museum of Natural History, and the New York Botanical Garden.
American Museum of Natural History
New York Botanical Garden, Artwork By Burke and Pryde Studio
Museum of the Moving Image
This one loses some of its graphic details when photographed in the dark, so be sure to check it out in the daylight to see all of the visuals that play out on the monitors behind the central mannequin.
New York Historical Society, Art By Mark Gagnon
I believe that To New York, With Love will be up through the end of January, as the next set of windows are scheduled to go up in February. Watch a fun and fascinating video of how these windows came together at This Link!