Night Journey (1969 —70) belongs to Frank Bowling’s Map series (1966 – 71), a group of mostly abstract paintings composed of broad fields of color into which the artist placed the continents of Australia, South America, and Africa. Here, the barely discernible shapes of South America, in red at center left, and Africa, in blue and pink and center right, hover in his luminous composition. The yellow area between them evokes the Atlantic Ocean, the maritime highway that facilitated exchange and, most importantly for Bowling, the slave trade. Using the conventions of modern painting about 1969 — 70 in New York, where he worked at the time, the artist evokes the displacement and migration of Africans.
Photographed in the Metropolitan Museum of Art in NYC.
At the Surround Audience Triennial exhibit going on now at the New Museum of Contemporary Art, photos and sculptures by Korean artist Onejoon Che, a former military police photographer, explore the faux Soviet socialist-realist style of sculptures produced by a contemporary North Korean art studio specializing in the construction of massive public monuments in Africa. At once poignant and comic, these images touch upon military and economic geopolitics.
Emmanuel Fremin Gallery is currently exhibiting a portfolio of 15 large photographs shot by Julian Lennon during his travels through Kenya and Ethiopia as part of his involvement in the Water and The White Feather Foundation initiative for Africa.
Reverence
Happy Girl (Top), Wheels of Fortune (Bottom)
While I was admiring these, a guy standing behind me asked if I knew where they were taken. “I think they were taken in Africa,” I replied, “No,” he interjected, “They were taken on the Moon.” What an ass.
Haven
I really like this one.
Secret Way
You can see that Julian has an amazing talent for composition and capturing the human spirit.
Follow
This exhibit will be up for all of April so make a point to check it out.
Julian Lennon Horizon will be on Exhibit Through May 2nd, 2015 at Emanuel Fremin Gallery, Located at 547 W. 27th Street #510, in the Chelsea Gallery District.
The People, 27 Flag Grid By Fred Wilson, 2010 (All Photos By Gail)
It’s funny how I am always ‘just discovering’ artists that have been around for decades, and then once I see their work, I start seeing it all over. It happens all the time. For example, I was just vacationing in Boston last month and paid a visit to that city’s really fantastic Museum of Fine Arts, which everybody should visit. In the contemporary art wing at the MFA, I became enchanted with this work by Fred Wilson called Lago’s Mirror, which is a huge, ornate wall mirror made up of layers of black glass. It was so totally my thing and I stared at it for about ten minutes. Art!
Chandelier Sculpture
So, it was very fortuitous that I ran into a couple of my neighbors during my September 11th Art Crawl and they raved about an exhibit that wasn’t even on my list for the evening “over at Pace” – which they insisted I absolutely had to check out. This exhibit turned out to be Fred Wilson’s Sculptures, Paintings and Installations 2004 – 2014 — a fantastic retrospective to see in Pace’s cavernous 25th Street space. Also: free wine!
Black Glass Drips Sculpture
Here’s a little background from the exhibit’s Press Release. Since the beginning of his career, Fred Wilson has created a diverse range of work that challenges assumptions of history, culture and race. Pace’s exhibit features works from the past ten years, including several that have never been exhibited. A catalogue featuring an essay by Doro Globus accompanies the exhibition and also gives further insight to the work and its deeper meaning. I’m going to include some of that essay here because I think it adds value for anyone who is going to see this exhibit maybe not knowing anything about Wilson up front.
As Globus writes, “Wilson’s appropriation is wide-reaching. Simultaneously working with the decorative arts and national symbols, he breaks down the supposed structures in place and offers up an alternative view of nearly everything he touches. He even treats the seemingly simplest forms – a mirror or a flag – in the same manner as an entire museum collection; clearly showing the relevance and import of his work outside such institutions.”
Please enjoy some of my photos from the show!
This exhibition features Wilson’s complete Flag Series, which has never been exhibited in its entirety. His newest work featuring Flag images, Black Birds (above) and Black All Stars (Below) isolate bird and star iconography from the flag of Africa another “black identified” countries, rendering these symbols onto a canvas surface exactly where they would be positioned on their respective flags.
Black All Stars
Don’t (2010)
In Don’t, Wilson superimposes various flags from our nation’s history on top of one another. Clearly visible are the phrases “Don’t Tread on Me” from the Gadsen flag, the X from the Confederate flag, the horizontal band from the Black Liberation flag and the Stars and Stripes from the American flag. I love the 3-D look of this painting!
M (2010) One of Four Vertical Groupings of 8 Flags Featured in This Exhibit
Africa!
There are also two new black venetian glass mirrors in the exhibit, which were definitely the talking points of the evening. Go see this exhibit to find out what these mirrors are all about!
I learned a a lot about Fred Wilson at the Pace exhibit and I like his work even better now. Fred Wilson!
Fred Wilson’s Sculptures, Paintings and Installations 2004 – 2014 will be on Exhibit Through October 18th, 2014 at Pace Gallery, Located at 534 West 26th Street in the Chelsea Gallery District.
