Photos By Gail
In 1968, Arline Fisch visited the Gold Museum in Lima, Peru, where she came across a tiny pre-Columbian fragment of woven gold. This trip marked a pivotal point in her artistic practice, resulting in her unique, textile-derived approach to jewelry. Copper Wire Cuff, in which the artist ran copper wire through a knitting machine as if it were a strand of yarn, is an example of the type of work inspired by this encounter.
Cuff Worn By Model (1985)
The melding of textile technique and body ornament reflects the confluence of a broader range of interests and pursuits, including the artists’s introduction to weaving at Haystack Mountain School of Crafts and her self-directed study of jewelry in museum collections worldwide.
Photographed at the Museum of Arts and Design in Manhattan.
