Confession: Julian Schnabel is not an artist whose work I particularly admire. To me, his stuff almost always seems uninspired, phoned in, and, well, just plain ugly. I do not think that I’m alone in that opinion. Schnabel’s latest exhibit, New Plate Paintings, which is his first solo show at Pace Gallery since leaving Gagosian, is a collection of nearly-identical variations on a theme: paintings depicting pink roses on a bed of greenery, which is notable for being painted on a relief of broken dishes mounted on the canvas.
It’s always fun to have a favorite band return for an encore appearance, and today we are featuring a brand new clip from Leeds UK-based badasses, Eagulls, who made their first appearance here in the Video Clip of The Week way back in January of 2014! It literally seems like just yesterday, because we have no sense of the passage of time! Continue reading Video Clip of The Week: Eagulls, “Skipping”
While there is no shortage of very cool artworks to see at the Dia: Beacon Museum in Beacon, NY, one of my favorite things that I saw on my recent trip there with Geoffrey is Robert Smithson’s Map of Broken Glass (Alantis) which is mind blowing on so many levels. First of all, it’s huge pile of dangerous glass shards sticking up into the air, which if you fell onto them, they would surely injure you gravely. Take a closer look:
The Porca Miseria! Chandelier is a revolt against the “slickness” of contemporary design and designer Ingo Maurer’s celebration of slow–motion cinematic explosions. Only 10 of these lamps are produced annually, as four builders and must work on each one for almost 5 days, carefully breaking plates with a hammer or dropping them on the floor to determine the arrangement of the final design. The title, a common Italian interjection similar to “damn,” expressing irritation, surprise, annoyance, or incredulity, evokes both the frustration of breaking a dish and the release that comes from breaking many of them. Continue reading Porca Miseria! Chandelier at MOMA