Installation View With Maria Pergay’s DeerLamp (All Photos By Gail)
Christian Germanaz is a French industrial designer and maker of furniture who studied, and still works, in Paris. Created in 1982, his Comedia Chair is comprised of foam over a metal frame construction, with a seasonal/interchangeable slipcover in bright red. The chair’s dimensions are 29 inches tall by 35 inches deep by 40 inches wide.
We understand that it sits as comfortably as you would expect by the look of the sumptuous, multitudes of pleats and folds in the chair’s slipcover. Comparisons to the appearance of the wrinkly puppy known as the Shar Pei are not unwarranted.
Perfect for curling up with a good book, or your iPad!
Photographed at Demisch Danant, Located at 30 West 12th Street in the West Village, NYC.
Installation View With Rene Gabriel’s Bridge Armchair (All Photos By Gail)
The celebrated French artist César (born Cesare Baldaccini) was a founding member in 1960 of the Nouveaux Réalistes group. His amorphous bronze and glass Expansion Table (1977) is one of the rare works in which César applied hisExpansiontechnique to a functional object. Whereas he also created a handful of bronze ashtrays, lamps, as well as the console commissioned by Henri Samuel, the Expansion Table is the object in which César philosophy — his belief that life and art are one entity, indivisible —achieves its apex.
Some background on César’s Expansions: One of the artist’s great breakthroughs in the late 1960s took the form of sculptural spills called Expansions. Realized with liquid polyurethane foam, a novel material at the time, each spill involved actively pouring specifically tinted foam, allowing it to expand, and then leaving it to set in a process that resulted in soft forms several times larger than their original liquid volume.
César was moved by this material’s freedom and energy — rather than conforming to the matrix of a mold, it actually spread and expanded in what would famously become a critically admired analog for the new spirit of liberation that marked the era. As Pierre Restany noted in 1970, “César’s expansions reveal a new phase in his work, the phase of maturity: the mastering of the technique allied to the freedom of form.”
Photographed at at Demisch Danant, Located at 30 West 12th Street in NYC.