On an otherwise gloomy and very rainy Sunday in New York, we made our way to the NYBG in the Bronx for the second day of artist Yayoi Kusama’s new exhibit, Kusama: Cosmic Nature. While Saturday’s opening day enjoyed the benefit of bright sun and warm temperatures, we did not let the overcast skies dampen our sprits at all while exploring this amazing exhibit which showcases of all of Kusama’s ‘greatest hits’ (if you know what I mean). An in-depth review will likely be on the horizon here on The ‘Gig. In the meantime, check it out for yourself buy snagging a couple of hot tickets at This Link!
On a very rainy Sunday in NYC, the ideal indoor activity turned out be a ferry ride over to Randall’s Island for the Frieze Art Fair! Because what’s a little mud on your shoes compared to the joy of browsing for hours through thousands of prohibitively expensive artworks?
Looking back through the digital archives, it appears that my previously most recent Frieze recap dates all the way back to 2015 — wow — for reasons that take too long to talk about. One thing that is abundantly clear though is that my skills as a photographer have improved greatly in the last four years! Let’s take look around this year’s Frieze Art Fair and check out a selection of my favorite art!
Carlotta (2017) is monumental 3D-effect stiles steel sculpture by Juame Pensa, found at Richard Grey Gallery. That’s an Alex Katz abstract painting at the left.
It didn’t take me long get distract by shiny things, because I neglected to note the artist of this installation of Colored Spherical Shaped Mirrors, which is just fantastic.
It might look like a weed has sprouted up though a crack in the wall at the booth for the Marlborough Gallery, but that weed is actually a metal sculpture. Clever!
Quartz Eroded Newspaper Machine (2019) by Daniel Arsham.
Here’s the view of another side: Coffee Cup included! Spotted at Perrotin Gallery.
Two colorful, feathered bears wrestle playfully in this sculpture by Paola Pivi entitled You Drive Me Crazy, also at Perrotin Gallery.
You know how it is when you have to wait so long for all of the people to clear out of the shot that your forget to make note of what you were photographing? This is one of those times.
Mermaid Sculptures by Olivia Erlanger at And Now Gallery sell for $8,000 each!
Alyson Shotz created this iridescent suspended soft sculpture made from interlinked, dichroic-dyed aluminum discs, found at Derek Eller Gallery. Check out two detail views of this work, below.
Surface of Discs. Exterior.
Surface of Discs, Interior.
Here’s a unique blown-glass work by Gabriele Beveridge called True Bone. It’s so lovely I am compelled to offer a side view from which you can see how the glass ‘weeps’ over the chromed Steele frame, or bone.
Men Who Cannot Cry (2018) Neon Sculpture by Alfredo Jaar.
Mark Thomas Gibson, The Snowman (2018) at Fredericks and Freiser.
This neon sign switched up its timely message by having the “ed” in “Empowered” flicker off and on. Nice.
This reflective wall sculpture made from the lenses of sunglasses was also spotted at the both for at The Modern Institute / Toby Webster Ltd.
Colorful Acrylic Sculptures By Marta Chilindron (Above and Below).
Now here’s a modern sculpture that has everything! Max Hooper Schneider’s Shiatsu takes a custom acyclic vitrine — that an observer might easily mistake for an ordinary household aquarium — and creates a surreal habitat filled with hand tools scattered among the lush terrarium plant life and accented with a vintage neon sign! Let’s take a closer look.
Spectacular! Hooper Schneider’s work is represented by Maureen Paley Gallery of London.
Avid readers of The ‘Gig might recognize this freeform abstract sculpture as the work of sculptor Tony Cragg from This Post, though the one above, entitled Gate (2017) is of a much, much smaller scale!
Look Up: It’s one of Nick Cave’s Sound Suits!
Raked Leaves (Apparition) (2019) by Patrick Jacobs is a tiny diorama that was embedded into the wall of the booth for Pierogi Gallery of New York.
Check out this fabulous silk flower and bead-embellished hoodie sculpture, February (2018) by Devan Shimoyama. I would wear it.
Well that about wraps up this year’s Frieze coverage. If you dig the photos in this post please share the love and share the link on your social media! Art!
How adorable is this tiny, painted wooden tree Ornament in the likeness of our favorite living artist, Yayoi Kusama? Answer: so darn cute!
Here she is posing next to a book about Kusama, which I bet is really cool.
You know what else you could do is thread her on a chord and wear her around your neck like a pendant. How fashionable! I may do that.
Yayoi (pronounced “Ya-Yo-E”) Kusama Ornament can be found in the MoMA Design Store and also perhaps Online.
We only had four hours off the ship to explore Helsinki, Finland, but despite the cold and rainy weather, luck was on our side; as the Universe guided us directly to the foot of Esplanadi Park, the site of Yayoi Kusama’s latest installation of Ascension of Polka Dots on the Trees. Holy crap! We had no idea it would be there, but the impossible-to-miss red and white polka dot fabric-wrapped trees screamed “This is a Kusama Thing!” at us from across the road, and we journeyed over to investigate. There are no accidents.
A little bit of Googling gave us additional background on the installation, explaining how, “Part of Esplanadi Park has been utterly transformed. Ascension of Polka Dots on the Trees establishes a wonderland in the park, where 20 trees in Theatre Esplanadi are wrapped in Kusama’s signature dotted fabric.” To run concurrently, Kusama’s Narcissus Garden, a well-known work consisting of a thousand mirror-surfaced steel spheres, has also been installed in the Palm Room at Helsinki’s Winter Garden. Kusama offers, “These works have been inspired by beautiful nature and people, and they create communication between nature and living beings. The shining city of Helsinki, as well as the life we wish for, becomes even more beautiful.”
While we found it on Thursday, June 9th, the work was officially unveiled on Helsinki Day, June 12th. It will be on display for all to enjoy until October 9th, 2016. Ascension of Polka Dots on the Trees has previously been on show in London, Singapore, Moscow and elsewhere.
If you like Donuts and Art, then you will go crazy for Korean artist Jae Yong Kim’s latest exhibit, Pop Goes The Donut, which is up now at Lyons Wier Gallery.
To say that these surreal, fantasy Donut sculptures look good enough to eat is a understatement. But while these donuts are glazed, they are in fact made of glazed ceramic, so resist he urge to bite into one, as it would be hard on the teeth!
And just look how Instagram-ready they are!
Aside from inspiring you to immediately hit up a Krispy Kreme, you’ll love how Kim incorporates the most recognizable motifs of favorite Pop artists like Andy Warhol, Yayoi Kusama and Jeff Koons into his various Donut-themed series.
Kim has a field day riffing on Warhol’s iconic Campbell’s Soup Cans, which he recreates here as Donut Soup. Yummy.
These ones look like Jelly Donuts to me.
With Pumpkin Spice Donut, Kim references Kusama’s yellow and black spotted Pumpkins.
The colorful, mirrored-surface of the Teddy Bear-Head Shaped Donuts made me immediately think of Jeff Koons‘ Balloon Dog on a Plate.
Here’s a Donut Grouping that pays homage to the Stock Market! Fun!
Make sure you stop by Lyons Wier to snap some selfies with these donuts before the exhibit closes in just under 2 week!
Jae Yong Kim’s Pop Goes The Donut will be on Exhibit Through May 14th, 2016, at Lyons Wier Gallery, Located at 542 West 24th Street in the Chelsea Gallery District.
When I was in California at Christmastime, a little bit of advanced planning allowed me to enjoy a visit to the new Broad Museum of contemporary art, located in beautiful downtown Los Angeles. Featuring 2,000 works of art from the private collection of philanthropists Eli and Edythe Broad (pronounced like “Bro-d”), admission is free of charge, but because the museum just opened on September 20th, 2015, the demand for tickets is so high that they must be reserved online in advance. By December, the list was already booked up through February 2016! It is times like these that writing an awesome blog like The Worley Gig comes in handy. With a couple of exchanged emails, the Broad’s press office was kind enough to extend VIP-treatment to myself and two guests, which included front-of-the-line cutting privileges that saved us about two hours of waiting in a queue that already wrapped around two sides of the building by the time the museum opened at 11 AM. It is good to be the King, or Queen, whatever.
Designed by Diller Scofidio + Renfro in collaboration with Gensler, and featuring an innovative Veil-and-Vault concept, the 120,000-square-foot, $140-million building features two floors of gallery space to showcase The Broad’s comprehensive collection, and is the headquarters of The Broad Art Foundation’s worldwide lending library. Needless to say, but you can see I am about to, the building itself is a work of art.
Please enjoy some photos and tips from our visit!
While Lucas Samaras’s Doorway is billed as a “Mirrored Room,” it isn’t actually a room that you can enter, as you can, say, a Mirrored Room installation by Yayoi Kusama. It is really more of, well, a Doorway: a Mirrored Cube inside of a Mirrored Shell that is open on the front and back ends, to allow view through. When I viewed this work at Pace Gallery on the final day of its exhibition, the open ends were roped off to prevent anyone from touching, walking on or accessing the work close up. Bummer.
In this shot you can see the outline of the cube clearly. Unfortunately, if there is even one other person in the gallery they are going be in the shot.
This a reflection of the cube against the interior of the passageway. You can imagine that if you were able to get inside there you could snap some pretty crazy selfies. But, sadly no.
Doorway is one of a series of Mirrorred Rooms created by Samaras between 1966 and 2007.
Photographed At Pace Gallery, 510 West 25th Street in the Chelsea Gallery District.