Paul Kasmin Gallery’s Tenth Avenue space is currently hosting Mute Parade, an exhibit of light installations by Chilean-born artist Iván Navarro, for his second solo show with the gallery. Mute Parade transforms multiple gallery rooms into a synesthetic environment continuing Navarro’s ongoing use of light, sound, and language to engage with issues of power, migration, and propaganda. Continue reading Iván Navarro’s Mute Parade at Paul Kasmin Gallery
Study For Aten Reign By James Turrell (All Photos and Video By Gail)
Why do people go apeshit over James Turell’s colored light installations? Because they can. At least that is my excuse. Happily, Pace Gallery is currently hosting 67 68 69 — a two-venue exhibition of Turrell’s landmark light projections from the late 1960s. Yay!
67 68 69 is the first exhibition in more than a decade to focus exclusively on Turrell’s first light works. The exhibition includes a selection of early light works, and a ton of schematic drawings by Turrell from the late 1960s, highlighting the artist’s investigation of color, light, perception and space.
Above, please enjoy a video that I took, also featuring a special appearance by Geoffrey, in the room with the Green Light Thing.
Here is some backstory on the genesis of these works from Pace Gallery’s website:
Upon moving into a vacated hotel in Santa Monica in 1966, James Turrell began experimenting with high-intensity projectors, using them to modulate space and the eyes’ perception of it. The result of these endeavors was his corner projections, the artist’s first significant works using light as a medium to create the appearance of free-floating, three-dimensional objects suspended in the corners of a room.
I need to still make a visit to Pace on 57th Street to see the rest of these, because one of those is light sculptures is Pink.
James Turrell 67 68 69 will be on Exhibit Through June 17th, 2016 at Pace Gallery, Located at 534 West 25th Street in the Chelsea Gallery District (where all of these photos were taken) and at 32 East 57th Street in Midtown Manhattan.
Ivan Navarro uses electric light as his primary medium, appropriate the austere visual language of Minimalism and imbuing it with political resonance. For Homeless Lamp, the Juice Sucker (2004–05), he built a grocery cart out of fluorescent tubes and, with it, wandered to the gallery-lined streets of Manhattan’s Chelsea neighborhood. The luminous sculpture evokes the work of Dan Flavin while also referencing an object commonly repurposed by homeless people for storage and transportation.
Scored to the Mexican revolutionary song “Juan Sin Tierra” (John the Landless), the accompanying documentary video follows Navarro and a friend as they search for public electricity with which to eliminate the sculpture. presenting the artist as a transient figure, Navarro offers a personal allegory for his early attempts to gain access to the New York art world as well as the difficulties faced by migrants in establishing connections with the place to which they have relocated.
Photographed at the Guggenheim Museum in New York City during the Storylines exhibit in 2015.
Bryce Wolkowitz Gallery is currently hosting The Luminous Poem, a new body of work by Korean artist Airan Kang. If you’ve seen Kang’s work before (she’s previously shown at the Wolkowitz Gallery), then you know that she makes these fantastic illuminated sculptures of books.
This show has lots of her illuminated books (and it seems also what look like VHS Cassette Boxes – nostalgia!), but it also explores other printed mediums, such as scrolls and room-sized projections. My favorite part of the exhibit was a small room where shelves of softly glowing books lined the walls.
Do you enjoy looking at pretty colored lights? I sure do. De Buck Gallery is currently an exhibit by German artist Regine Schumann, entitled Look Into It, and it is pretty groovy. Check out my photos and asses whether or not it is something you would also enjoy viewing!
Schumann is among the most notable artists working in the field of acrylic sculpture today. Her Colormirror series is an exploration in the relationship between color, light and form. Light — and its transformative powers, in particular — plays a key in the experience of her work.
Translucent boxes edged in vibrant colors, the pieces come alive under black light; they are set aglow and a new range of color emerges. I saw the exhibit at night, when the black lights were bringing out the fluorescent aspects of the work, but seeing it in the day, under natural light would make for a completely different viewing experience. So cool!
With their strong minimalist aesthetic, geometry also is an important factor for Schumann, who cites architecture as one of her primary influences. The works on view in Look Into It, with their variety of shapes and sizes, together create a balanced overview of Schumann’s mastery of proportion.
Tiny boxes jutting out from the wall, groups of parallel panels, and monumental slabs work together to create an altogether harmonious and graceful effect. These photos do not do the work justice, of course, so you should really drop by and experience this fun exhibit for yourself!
Regine Schumann’s Look Into It will be on Exhibit through March 21st, 2015 at DeBuck Gallery, Located at 545 West 23rd Street in the Chelsea Gallery District.