Tag Archives: paul kasmin gallery

RIP NYC Gallerist Paul Kasmin

Claude LaLanne Apple Photo By Gail
Apple Sculpture By Claude LaLanne Photographed at Paul Kasmin Gallery By Gail in January 2019

They say that celebrity deaths come in threes. This past week we said goodbye to playwright Terrence McNally, legendary Drummer Bill Rieflin and, on a local scale, NYC Gallerist and Photographer Paul Kasmin, whose renowned Chelsea galleries have provided Worleygig.com with amazing content for more than a decade. Having celebrated his 60th birthday in February, Kasmin was just one year older than me. Mark Ryden, Nir Hod, Will Ryman, Ian Davenport, Erik Parker, Ron Arad, Designer Mattia Bonetti, husband and wife artist team Les Lalannes, and Photographer David La Chapelle are just few of the eye-opening talents I was introduced to at various Kasmin Gallery shows. Geoffrey I had so many good times there. Continue reading RIP NYC Gallerist Paul Kasmin

Eye On Design: Crocodile Banquette By Claude LaLanne

Crocodile Banquette Front View
All Photos By Gail

Claude Lalanne (born 1924) is a French designer known for her eccentric works, which are often animal themed. She also worked with her late husband, Francois-Xavier Lalannne (19272008), under the name Les Lalannes.

Continue reading Eye On Design: Crocodile Banquette By Claude LaLanne

Mark Ryden Presents Whipped Cream at the Paul Kasmin Gallery

Dessert Counter
Dessert Counter By Mark Ryden (All Photos By Gail)

Good timing: it is a thing. Because we neglected to pay close attention to the unorthodox start time of the recent opening reception for Mark Ryden’s The Art of Whipped Cream exhibit at the Paul Kasmin Gallery, we arrived four minutes before they locked the doors behind us, and had to do a mad dash through the gallery to snap some photos for this post before they gave us the bum’s rush.

Mark Ryden Fans
Marky Ryden Fans Are Much Cooler Than You Are

The upside to our extreme tardiness is that gallery was nearly empty, and we were able to secure many decent, people-free photos! Winning!

Whipped Cream Installation View
Installation View

The Art of Whipped Cream features drawings, sketches and paintings created for the production of American Ballet Theatre’s Whipped Cream. A concurrent exhibition of Ryden’s work for the ballet is running at Gallery Met, located at the Metropolitan Opera House, through July 8th, 2017.

Please enjoy our photos from the show!

Cotton Candy Curtain
Cotton Candy Curtain

Whipped Cream Drop
Whipped Cream Drop

Princess Praline and Her Entourage
Princess Praline and Her Entourage

Princess Praline Detail
Princess Praline, Detail

Parfait Man
Parfait Man

The Carriage
The Carriage

Nicolo
Nicolo

Sketches
Sketches

Church Tree Scrim
Church Tree Scrim

Installation View
Installation View

Plum Brandy
Marianne
Boris

Mark Ryden: The Art of Whipped Cream will be on view through July 21st, 2017 at Paul Kasmin Gallery, Located at 515 West 27th Street,in the Chelsea Gallery District.

American Ballet Theatre’s Whipped Cream will be Performed at the Metropolitan Opera House, NYC, Through July 8th, 2017. 

The Hospital
The Hospital

Nurse Corps de Ballet
Nurse Corps de Ballet

Dessert Counter Detail
Dessert Counter, Detail

Roxy Paine’s Farewell Transmission at Paul Kasmin Gallery

Meeting
Meeting, 2016, Scale Diorama By Roxy Paine (All Photos By Gail)

Paul Kasmin Gallery is currently hosting Farewell Transmission, a two-venue exhibition of recent sculpture by Roxy Paine, for the artist’s first major New York solo exhibition in three years and the first of his sculpture with Paul Kasmin.

Over the past 25 years, Paine’s sculptures ruminate upon the clash of the human and the natural worlds, and the warring of chaos and control that result from humanity’s attempts to manage the process.  Farewell Transmission presents two distinct series, Dioramas and Dendroids; each express the artist’s anxieties about the human impact on our habitat and the mechanized tools that seek to impose order and control, often to disordered and unpredictable ends.

In his Dioramas, Paine adopts and adapts a format familiar within the natural history museum, but instead of employing human artifice to represent the natural world, Paine’s Dioramas use organic materials to represent quotidian environments where the fundamental states of the Homo Sapien can be observed. Rooted in the Greek language, diorama translates to “through that which is seen.” Paine’s Dioramas are a device through which one can examine our own habitat, culture and society.  Seemingly innocuous at first, each Diorama presents a room devoid of actual figures, yet charged with their psychological dilemmas.

Meeting Detail

Meeting (2016) is the artist’s most intimate in scale from the series, and implies through attentive details such as a ring of non-descript office chairs, the community space that hosts one of the variety twelve-step substance abuse programs.

Meeting Coffee

Experiment
Experiment, Installation View

Experiment (2015) the only diorama of an actual historical event, though one for which we have no photographs, depicts the setting of a 1950s-70s CIA surveillance program examining the effects of LSD.

Experiment Detail

Looking at this hallucinatory experience through another surveilling environment heightens the paranoid feelings of control, manipulation and misguided forensic observation. Personal associations and past encounters with these familiar spaces inevitably creep into the imagined scenes of the Diorama, collapsing the distance between the viewer and that which is on view.

Experiment Detail

Desolation Row

In Desolation Row (2017) a remarkable new work, Paine synthesizes the tree silhouettes of the Dendroids, the simulation of the Dioramas and the expansiveness of his earlier Fields series to replicate nature in solitude and at its most poignant moment.

Desolation Row

Returning to the motif of the tree, Paine presents them in Desolation Row as charred, barren, and destroyed. Positioned across a 13-ft table, Desolation Row is an unflinching portrayal of the infinite cycle of control and chaos reaching its devastating yet paradoxical conclusion where Paine leaves the question of renewal to be resolved.

Dendroids Installation View

Fusing organic forms, such as trees, flowers, and fungi with man-made structures and materials among which include stainless steel, epoxy, and polymer, Paine invents, distorts, surprises and confounds our perception of the natural and inorganic and the real and artificial.

Dendroids

The new Dendroids, Paine’s first iteration in over 5 years of his iconic stainless steel sculptures, further expand upon this multifaceted, yet imperfect, transformation of the industrial into the natural, with even more daring grafting, beguiling engineering, and wild experimentation.

Organ Tree

In the new works, tree trunks, branches and roots intertwine with lungs and hearts, or with electricity poles and debris and detritus.

Utility Pole Treet

Ground Fault (2016) poetically melds a tree’s roots and trunk with two transformers that are used to circulate electromagnetic energy.  Paine’s Dendroids continue to reveal the intrinsic affinities and twisted connectivity of a tree’s form with other plant, human and man-made systems.

Dendrils Triptych

Roxy Paine: Farewell Transmission, will be on Exhibit Through July 1st, 2011 at Paul Kasmin Gallery’s Locations at293 and 297 Tenth Avenue, at 27th Street, in the Chelsea Gallery District.

Roxy Paine Signage

Dendrils

 

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Eye On Design: Mattia Bonetti’s Liquid Gold Cabinet

Liquid Gold CabinetLiquid Gold Cabinet
All Photos By Gail

The Swiss-born designer Matia Bonetti is known for his irreverent, eye-grabbing, and (often) dazzlingly shiny functional objects. Bonetti enjoys playing with both organic and geometric forms rather than adhering to a consistent style. Created from Gold-plated bronze, cast aluminum, and rock crystal, the Liquid Gold Cabinet combines the two aesthetics, the designer offers, “because it’s quite straight in line, but you have all these ripplings that are more informal. They could be called Baroque, with their guiding and the richness.”

Photographed in the Paul Kasmin Gallery, NYC as part of the Indoor Outdoor Exhibit in 2013.

Liquid Gold Cabinet
Liquid Gold Cabinet Shown Here with the Arctic Raft Side Table to the Left