Apple Sculpture By Claude LaLanne Photogpraphed at Paul Kasmin Gallery By Gail in January 2019
They say that celebrity deaths come in threes. This past week we said goodbye to playwright Terrence McNally, legendary Drummer Bill Rieflin and, on a local scale, NYC Gallerist and Photographer Paul Kasmin, whose renowned Chelsea galleries have provided Worleygig.com with amazing content for more than a decade. Having celebrated his 60th birthday in February, Kasmin was just one year older than me. Mark Ryden, Nir Hod, Will Ryman, Ian Davenport, Erik Parker, Ron Arad, Designer Mattia Bonetti, husband and wife artist team Les Lalannes, and Photographer David La Chapelle are just few of the eye-opening talents I was introduced to at various Kasmin Gallery shows. Geoffrey I had so many good times there.
Getty Sheep Station By Francois Lalanne, September 2013
What follows is the gallery’s official statement on Paul’s passing:
It is with great sadness that we must give news of the loss of Paul Kasmin (1960–2020). Paul passed away early this morning, March 23, after a long period of illness.
Opening his first New York gallery in 1989, Paul devoted himself to a life celebrating art and artists. Those of us who have worked with Paul learned from his extraordinary eye for talent, his delight in the work of the artists he loved, and his rare sense of openness and generosity.
Paul took great pleasure in overseeing all aspects of the gallery until the very end, and it was his sincere wish, and in his plans, that his vision for Kasmin continue as ambitiously as ever.
In the last few years, Paul continued his lifelong passion for photography with renewed enthusiasm. Taking pictures of his family, friends, and the gallery artists and staff, he built a collective portrait of his artistic community. We invite you to view these works on our website, reflecting on the enormous contribution that Paul made to the arts during his lifetime.
Selections from Paul Kasmin’s photography portfolio can be viewed now via the Kasmin Gallery website at This Link. Thank you for all the great art, Paul, and Rest in Peace.
Claude Lalanne (born 1924) is a French designer known for her eccentric works, which are often animal themed. She also worked with her late husband, Francois-Xavier Lalannne (1927–2008), under the name Les Lalannes.
Claude Lalanne’s gilt-bronze Banquette Crocodile is one of the designer’s most sought-after pieces, the realism of its reptiles coming as a result of a trip to the Paris zoo in 1972. It seems the designer had envisioned the creation of such a piece for quite some time but was in need of an actual crocodile upon which to base it.
Banquette, Rear View
As the story goes, Lalanne decided to put in a request to the city’s zookeepers for the remains of a crocodile, should one happen to expire of old age when nature took its course. And so a crocodile did pass away and, shortly thereafter, Lalanne went to collect her specimen in the company of fellow artist Niki de Saint Phalle.
Installation view with Claude LaLanne-designed Mirror and Candle Holders
Since then, the highly textured crocodile motif has taken shape in a number of her works, ranging from chandeliers to tables and chairs as well as the bench, which was designed in 2006, and cast in 2007 in an edition of eight with four artist’s proofs. Most of these pieces have been sold at auction at Christie’s and Sotheby’s for anywhere from $500,000 to $1 Million each.
Photographed in the Paul Kasmin Gallery, Located at 509 West 27th Street in the Chelsea Gallery District, NYC, Where You Can See This Bench and Other Works By Les Lalannes on Exhibit Through March 9th, 2019.
Dessert Counter By Mark Ryden (All Photos By Gail)
Good timing: it is a thing. Because we neglected to pay close attention to the unorthodox start time of the recent opening reception for Mark Ryden’s The Art of Whipped Cream exhibit at the Paul Kasmin Gallery, we arrived four minutes before they locked the doors behind us, and had to do a mad dash through the gallery to snap some photos for this post before they gave us the bum’s rush.
Marky Ryden Fans Are Much Cooler Than You Are
The upside to our extreme tardiness is that gallery was nearly empty, and we were able to secure many decent, people-free photos! Winning!
The Art of Whipped Cream features drawings, sketches and paintings created for the production of American Ballet Theatre’s Whipped Cream. A concurrent exhibition of Ryden’s work for the ballet is running at Gallery Met, located at the Metropolitan Opera House, through July 8th, 2017.
Please enjoy our photos from the show!
Cotton Candy Curtain
Whipped Cream Drop
Princess Praline and Her Entourage
Princess Praline, Detail
Church Tree Scrim
Mark Ryden: The Art of Whipped Cream will be on view through July 21st, 2017 at Paul Kasmin Gallery, Located at 515 West 27th Street,in the Chelsea Gallery District.
American Ballet Theatre’s Whipped Cream will be Performed at the Metropolitan Opera House, NYC, Through July 8th, 2017.
Meeting, 2016, Scale Diorama By Roxy Paine (All Photos By Gail)
Paul Kasmin Gallery is currently hosting Farewell Transmission, a two-venue exhibition of recent sculpture by Roxy Paine, for the artist’s first major New York solo exhibition in three years and the first of his sculpture with Paul Kasmin.
Over the past 25 years, Paine’s sculptures ruminate upon the clash of the human and the natural worlds, and the warring of chaos and control that result from humanity’s attempts to manage the process. Farewell Transmission presents two distinct series, Dioramas and Dendroids; each express the artist’s anxieties about the human impact on our habitat and the mechanized tools that seek to impose order and control, often to disordered and unpredictable ends.
In his Dioramas, Paine adopts and adapts a format familiar within the natural history museum, but instead of employing human artifice to represent the natural world, Paine’s Dioramas use organic materials to represent quotidian environments where the fundamental states of the Homo Sapien can be observed. Rooted in the Greek language, diorama translates to “through that which is seen.” Paine’sDioramas are a device through which one can examine our own habitat, culture and society. Seemingly innocuous at first, each Diorama presents a room devoid of actual figures, yet charged with their psychological dilemmas.
Meeting (2016) is the artist’s most intimate in scale from the series, and implies through attentive details such as a ring of non-descript office chairs, the community space that hosts one of the variety twelve-step substance abuse programs.
Experiment, Installation View
Experiment (2015) the only diorama of an actual historical event, though one for which we have no photographs, depicts the setting of a 1950s-70s CIA surveillance program examining the effects of LSD.
Looking at this hallucinatory experience through another surveilling environment heightens the paranoid feelings of control, manipulation and misguided forensic observation. Personal associations and past encounters with these familiar spaces inevitably creep into the imagined scenes of the Diorama, collapsing the distance between the viewer and that which is on view.
In Desolation Row (2017) a remarkable new work, Paine synthesizes the tree silhouettes of the Dendroids, the simulation of the Dioramas and the expansiveness of his earlier Fields series to replicate nature in solitude and at its most poignant moment.
Returning to the motif of the tree, Paine presents them in Desolation Row as charred, barren, and destroyed. Positioned across a 13-ft table, Desolation Row is an unflinching portrayal of the infinite cycle of control and chaos reaching its devastating yet paradoxical conclusion where Paine leaves the question of renewal to be resolved.
Fusing organic forms, such as trees, flowers, and fungi with man-made structures and materials among which include stainless steel, epoxy, and polymer, Paine invents, distorts, surprises and confounds our perception of the natural and inorganic and the real and artificial.
The new Dendroids, Paine’s first iteration in over 5 years of his iconic stainless steel sculptures, further expand upon this multifaceted, yet imperfect, transformation of the industrial into the natural, with even more daring grafting, beguiling engineering, and wild experimentation.
In the new works, tree trunks, branches and roots intertwine with lungs and hearts, or with electricity poles and debris and detritus.
Ground Fault (2016) poetically melds a tree’s roots and trunk with two transformers that are used to circulate electromagnetic energy. Paine’s Dendroids continue to reveal the intrinsic affinities and twisted connectivity of a tree’s form with other plant, human and man-made systems.
Roxy Paine: Farewell Transmission, will be on Exhibit Through July 1st, 2011 at Paul Kasmin Gallery’s Locations at293 and 297 Tenth Avenue, at 27th Street, in the Chelsea Gallery District.
The Swiss-born designer Matia Bonetti is known for his irreverent, eye-grabbing, and (often) dazzlingly shiny functional objects. Bonetti enjoys playing with both organic and geometric forms rather than adhering to a consistent style. Created from Gold-plated bronze, cast aluminum, and rock crystal, the Liquid Gold Cabinetcombines the two aesthetics, the designer offers, “because it’s quite straight in line, but you have all these ripplings that are more informal. They could be called Baroque, with their guiding and the richness.”
Photographed in the Paul Kasmin Gallery, NYC as part of the Indoor Outdoor Exhibit in 2013.
Liquid Gold Cabinet Shown Here with the Arctic Raft Side Table to the Left
Swiss designer Mattia Bonetti scores again with Lucky (2013), a stainless steel Di (get a second to make proper pair of dice) which measures 18.62″ H x 18.6″ W x 18.62″ D and can be used as a stool or side table. Available in an edition of 100.
Isn’t this piece fabulous? Swiss designer Mattia Bonetti created his Archetype Lamp (2013) to mimic a Head and Shoulders silhouette, and what a head turner it is. Fabricated in bronze and Murano glass in a limited edition of 8, plus 2 artist proofs.
Photographed in the Paul Kasmin Gallery in NYC.
Archetype Lamp Shown Here atop the Scuba Console Table, with the Poppy Side Chair