Photos By Gail
Kelly Akashi’s Triple Helix (2020) evokes relationships among bodies across time, history, and memory. Akashi imagines the biomorphic glass sculptures — inspired by the simple contours of figural, pre-Hispanic ceramics — as ancestral female bodies tethered by a snaking coil of rope.
When the quartz bell suspended overhead is chimed, it emits a low-pitched tone that Akashi intends “to be felt in the deepest part of your body.” The combinatin of sound, vibrations, and blown glass encourages a moment of reverent self-awareness.
Photographed in The Brooklyn Museum.
