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Broken bowls and cups rarely invite a second glance. In the works of Korean artist Yeesookyung (b. 1963), ceramic shards are given new life, transformed into monstrous and imposing forms that resemble creatures from another planet as seen in her series of Translated Vases (2017–2024).
Sculpture Detail
Continue reading Translated Vase Series By Yeesookyung
Tea isn’t just a beverage; in many Asian cultures, it’s a cherished art form deeply woven into daily life. Nowhere is this truer than in Japan, where tea has been part of the nation’s traditions and hospitality since the 1100s.
The Japanese tea ceremony, in particular, is a solemn and beautiful ritual — far from casual teatime. In these ceremonies, hosts serve carefully prepared matcha using specialized Japanese teaware. And yes, a Japanese tea set is far more intricate than it might first appear. Continue reading What are Traditional Japanese Tea Sets?
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In Buddhism, the Lotus symbolizes transcendence, as the flower emerges from stagnant water to bloom in bright colors. Here, the ceramicist Kawase Shinobu uses the clear blue celadon glaze known as seihakuji to capture the spiritual importance of a lotus bud. This vessel is designed to support burning incense sticks, with a lily-pad-shaped saucer to catch the falling ash.
Photographed in The Brooklyn Museum
All Photos By Gail
Patti Warashina’s Kilns series subversively undermined the macho “cult of the kiln:” a phrase used to coin the sexist culture that surrounded kiln-building during the mid-twentieth century. As a ceramics student at the University of Washington, Warashina observed that kiln-building lessons were directed towards men, while surface decoration was the jurisdiction of women. Continue reading Modern Art Monday Presents: Patti Warashina, Gold Finger
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Kandler’s brilliantly composed figural group, The Judgement of Paris (1762) was intended as a table centerpiece that would appear with dessert. It depicts the story of the shepherd Paris awarding the golden apple to Venus, whose charms he preferred to those of Minerva and Juno. The splashes of color add a frivolous note, in tune with the frothy rococo spirit of the sculpture. Moreover, hints of naturalistic coloring deny these goddesses the timelessness of idealizing sculpture, making them instead into modern beauties who perform a titillating after-dinner entertainment.
Photographed in The Met Breuer (Now Closed) as Part of the 2018 Exhibit, Like Life: Sculpture, Color and The Body.