Tag Archives: porcelain

Modern Art Monday Presents: Jeff Koons, Michael Jackson and Bubbles

Michael Jackson and Bubbles
Photos By Gail

In imagining Michael Jackson (19582009) as a contemporary god of pop culture, Jeff Koons draws on long histories of representing mythic figures in sculpture. In Michael Jackson and and Bubbles (1988), the singer cradles his pet chimpanzee, mimicking a Pieta as perhaps a poignant evolutionary take on the composition of a mother and her child. Koons uses the techniques and conventions of traditional Meissen porcelain — a medium often associated with kitsch — on a grand scale, to underscore the mass appeal of his subject. Similarly, the pronounced use of gold signals excess to the point of banality, even as it reflects the brilliance of the megastar in the manner of an Egyptian pharaoh.

Michael Jackson and Bubbles

Photographed as Part of the Exhibit Like Life: Sculpture, Color and The Body, at The Met Breuer, NYC.

Pink Thing of The Day: Pink Melitta Heritage Series Coffeemaker

Pink Melitta Pour Over Coffee Maker
All Photos By Gail

Oh, how I love a modern product whose design riffs on a retro look! I spotted this adorable (and practical!) Melitta Heritage Series Pour-Over Coffeemaker at the recent IHA Show, and was instantly smitten: not only with its millennial Pink color, but also by the vintage glazed porcelain design! Wow!
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Chris Antemann’s Forbidden Fruit at The Museum of Arts and Design

Forbidden Fruit
All Photos By Gail

If the idea of bearing witness to dozens of tiny, semi-clad porcelain figurines that appear to be on the cusp of indulging in a bacchanalian orgy floats your boat, have I a got an art exhibit for you. Chris Antemann’s Forbidden Fruit — up now at the Museum of Arts and Design — celebrates the collaboration between the Oregon-based artist and Meissen, the renowned manufacturer of fine Porcelain.

Forbidden Fruit Detail
Detail from Above Photo

In 2011, Antemann was invited to participate in Meissen’s Art Studio Program, where she worked closely with Meissen’s master artisans to create unique pieces and a series of limited editions that strike a perfect balance between her distinctive style and Meissen’s identity. These pieces are arranged in Forbidden Fruit as a grand installation that reinvents and invigorates the great figurative tradition.

Forbidden Fruit Installation View

Inspired by eighteenth-century porcelain figurines and decorative art, Antemann’s delicate and intricately detailed sculptures are lavishly presented on a central banquet table alongside a selection of stand alone sculptures and a nine-light porcelain chandelier. Her centerpiece, Love Temple (2013), is inspired by Meissen’s great historical model of Johann Joachim Kändler’s monumental Love Temple (1750). Stripping the original design back to its basic forms,  added her own figures, ornamentation, and flowers to her five-foot work, as well as a special finial with three musicians to herald the arrival of guests to the banquet of “forbidden fruit” below.

Love Temple Detail

Forbidden Fruit

Forbidden Fruit

Using the Garden of Eden as her metaphor, Antemann has created a contemporary interpretation of the eighteenth-century banqueting craze by inserting her scantily clad male and female figures.

Forbidden Fruit

Forbidden Fruit

Posed in intimate and playful vignettes of seduction, Antemann’s figures convey narratives of domesticity, social etiquette, and taboos while making formal references to classic Baroque Meissen figurines. The ceramist invents a new narrative on contemporary morality in a setting that evokes the decadence of François Boucher and Jean-Antoine Watteau.

Forbidden Fruit

Chris Antemann’s Forbidden Fruit will be on Exhibit Through February 5, 2017 at the Museum of Arts and Design, Located at 2 Columbus circle (58th Street) in NYC.

Forbidden Fruit

Forbidden Fruit

Forbidden Fruit Installation View

Porca Miseria! Chandelier at MOMA

Porca Miseria! Chandelier Distance
All Photos By Gail

The Porca Miseria! Chandelier is a revolt against the “slickness” of contemporary design and designer  Ingo Maurer’s celebration of slow–motion cinematic explosions. Only 10 of these lamps are produced annually, as four builders and must work on each one for almost 5 days, carefully breaking plates with a hammer or dropping them on the floor to determine the arrangement of the final design. The title, a common Italian interjection similar to “damn,” expressing irritation, surprise, annoyance, or incredulity, evokes both the frustration of breaking a dish and the release that comes from breaking many of them. Continue reading Porca Miseria! Chandelier at MOMA

New Works By Kim Joon Featured in Sundaram Tagore’s Natural Selection

Kim Joon Island Alligator
Kim Joon, Island Alligator (All Photos By Gail)

Korean artist Kim Joon has shifted his artistic direction dramatically since last year’s exhibit at Sundaram Tagore, Blue Jean Blues, in which he explored Pop Culture themes of Iconic Films and Classic Rock Bands in sculptures executed on fine porcelain, and pristine photographic renderings of those sculptures.
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