Jean Dubuffet’s Study for Tower with Figures (1968), standing nearly ten feet tall, makes a striking statement when encountered outdoors; its painted polyurethane on epoxy facade, bold black outlines and puzzle-like shapes making it instantly recognizable as part of Dubuffet’s famous Hourloupe cycle.
At first glance, it looks playful — almost cartoonish. Tangled forms, bulbous limbs, and abstracted faces interlock like a jigsaw puzzle sprung to life. But beneath the humor lies Dubuffet’s serious artistic mission: to challenge the polish of modernity and instead celebrate the raw, the provisional, and the imperfect. Continue reading Modern Art Monday Presents: Jean Dubuffet Study for Tower with Figures









