Because the artwork changes only once every eighteen months or so, I never feel too lazy when it takes me six months to visit the latest monumental piece of public art exhibited on the High Line Plinth. I mean, it’s not going anywhere any time soon. The fourth High Line Plinth commission (I skipped covering the second one because it was so crappy), is by Colombian-born artist Iván Argote and it’s called Dinosaur (2024). Let’s take a closer look! Continue reading Dinosaur: Monumental Pigeon Statue on the High Line Plinth→
The Meeting Place statue is a prominent feature in St. Pancras International Station in London. Created by sculptor Paul Day, it was unveiled in 2007 as part of the station’s extensive refurbishment. The bronze statue stands an impressive 9 meters (approximately 30 feet) tall. Depicting a man and woman embracing in a romantic farewell or reunion, symbolizing love and connection often associated with travel, it’s also know as the Lovers Statue. Continue reading The Meeting Place Statue, St. Pancras Station, London→
Beau Brummell, born George Bryan Brummell (1778–1840), was an iconic figure in Regency England known for his influence on men’s fashion and high society. He was a close friend of the Prince Regent, who later became King George IV, and became famous for his impeccable style, wit, and the creation of the modern men’s suit. Continue reading Statue of Beau Brummell, London→
This bronze statue of Mary Poppins that graces Leicester Square in London is a delightful tribute to one of cinema’s most iconic characters. As I stood before this whimsical rendition of the beloved nanny, memories of my childhood flooded back. I vividly recall watching the 1964 Disney film, where Julie Andrews brought Mary Poppins to life with her enchanting portrayal. I remember thinking that she was so beautiful. Continue reading Mary Poppins Statue in Leicester Square→
Alexander Archipenko (1887 – 1964) first conceived the form of The Ray (Vase Woman III, The Ray), an elongated, abstract figure of a woman, around 1918. He explored the figure numerous times in several variations and media, sometimes calling it Vase or Vase Woman and other times Ray, recognizing the flexibility of perception, as well as the relationship between animate and inanimate forms.
