Over the course of a seven-decade career in design, Pierre Cardin has released collections that have rocketed so far into the future they were once emblematic of the Space Age. For an example of Cardin’s influence in popular culture, look no further than the 1960s cartoon The Jetsons, where Jane Jetson’s styles look as though they could have been lifted from the designer’s showroom.
Installation View Alongside the Porthole Dress (1968), Made from Wool Crepe and Silver Leather
But perhaps it is the Jetson’s teenage daughter Judy who would have been more inclined to fancy this vibrant and fun two-piece red suit consisting of a Bandeau Top and Miniskirt made of vinyl and plastic. The top’s circular breast rings remind me very fondly of costumes worn by Jane Fonda in the 1968 film Barbarella.
Mannequin Also Wears the Wool Envelope Hat (1979)
This Out-Of-This World Design was Photographed in the Brooklyn Museum as Part of the 2019 – 2020 Exhibit, Pierre Cardin: Future Fashion.
Kenny Scharf’s compelling portrait of The Jetson’s maid, Rosie the Robot, is part of the group show, Appropriate Disruption, on exhibit through December 20th, 2014 at the Jacob Lewis Gallery, Located at 521 West 26th Street, 4th Floor, in the Chelsea Gallery District.
The idea of “repurposing” — taking something old and giving it a new life — is an exciting concept that creates a world of possibilities. Sacred Gallery explores those possibilities (with an inclination towards the darker side of imagination and reality) with a highly amusing new group exhibit entitled Re-Thrifted. To create Re-Thrifted more than two dozen artists started with Thrift Store art finds and recreated the original piece as a new work of art. There are both paintings and sculptures in the exhibit and it was so much fun to view the show and compare the new artworks to their more humble beginnings, as many of the pieces are hung alongside tiny prints showing the pieces that inspired their genesis.
Three Cherubs Get a Visit from The Jetson’s Rosie the Robot
An excellent example of this type of work in its simplest form is Virgin Leia, a kitschy painting of the Virgin Mary recreated as a portrait of Princess Leia from Star Wars. Appropriate!
Above, a group of picnicking Renaissance children become flesh-eating members of the Undead.
The painting above features a picturesque Parisian Street Cafe that has been infused with images from pop culture, turning it into a surreal nightmare. Check out some of the cool details from this work in the shots below.
Walter White from Breaking Bad
Pennywise The Clown Peering from the Sewer
Note that this Herd of Zombies includes Michael Jackson as he appeared in the Video for “Thriller.” So clever! If this awesome painting wasn’t already sold I would have snapped it up in a heartbeat!
What was once an angelic choirboy has transformed into a demonic embodiment of the proverbial principle to “See No Evil, Hear No Evil, Speak No Evil.”
A menacing, medieval Dragon invades an otherwise idyllic forest scene in this painting by the artist Gothic Hangman.
You can tell that the participating artists were very inspired and that everybody had a blast creating their art for Re-Thrifted. Kudos to Kevin Wilson at Sacred Gallery for hosting yet another very cool show!
The Re-Thrifted Group Exhibit is on Display only Through November 3oth, 2013 at Sacred Gallery, Located at 424 Broadway, 2nd Floor (Between Howard and Canal Streets), so be sure to add it to your list of “Must See Art” while you can!
Animation Greats William Hanna and Joe Barbera with Tom and Jerry
Joe Barbera, half of the Hanna-Barbera animation team that produced such beloved cartoon characters as Tom and Jerry, Yogi Bear and the Flintstones, passed away Monday, December 18th , a Warner Bros. spokesman said. He was 95.
I don’t know about you, but I was rasied on Hanna-Barbera cartoons — The Flinstones and The Jetsons being two of my favorites — and even had my first crush on animated boy adventurer, Johnny Quest. The picture below represents many of Hanna-Barbera’s most popular and enduring/iconic characters. That really takes me back. Maybe it’s cheaper to make all cartoons in Asia these days, but you sure don’t see the same quality as you did back in the day.