Designed by Ferdinand Alexander ‘Butzi’ Porsche (1935 – 2012), grandson of the VolkswagenBeetle’s creator, the 911 (this model circa 1965) rivals its forebear as an icon of German automotive engineering.
A close examination reveals traits inherited from previous Porsche cars, including the raised round headlights and rear-mounted, air-cooled engine. Larger and specifically faster than its immediate predecessor, the Porsche 365, and the Beetle, the 911 in the most successful competition car ever mass produced.
“When We Called Out For Another Drink, The Waiter Brought a Tray…” (All Photos By Gail)
Over the summer, I attended This Rad Party to celebrate the release of the Volkswagen Limited Edition #PinkBeetle. In keeping with Pink theme, they served refreshing pink drinks in pink glasses, delivered on a pink tray! Oh, the pinkness!
If you’re in the market for a new sweet ride, why not consider the first car named for its own hastag — Volkswagen’s 2017 limited-edition #PinkBeetle? We had the opportunity to see the #PinkBeetle all up close and personal at a fun launch party earlier this week, and it looked like it was just made to be the Pink Thing of the Day, so here we go!
Fresh Fuchsia Metallic is the color of this beauty’s vibrant pink-hued exterior. The 2017 #PinkBeetle is powered by a 1.8-liter turbocharged engine matched with a 6-speed automatic transmission that produces 170 horsepower and 184 lb.-ft. of torque. The special pink designer Beetle will be available in coupe and convertible configurations when it reaches dealer showrooms this fall.
On the exterior, the new #PinkBeetle is trimmed with gloss black mirror housings and black running boards. Coupes will ride on 17-in., multi-spoke aluminum wheels and the convertibles will be equipped with 18-in., 5-spoke Twister design wheels. New bi-Xenon headlights and other LED lighting systems are standard.
Curry Chicken Tacos
Festive Pink Straws!
The cabin of the #PinkBeetle is set up with a black dash trimmed in pink with a leather-wrapped multi-function steering wheel with paddle shifters. Heated front seats and back seating are upholstered in black Pink Club cloth inserts that are plaid with pink striping.
An MIB II multimedia system is standard and comes with a 6.3-in. touch screen with VW’s Car-Net app suite that offers connectivity for all three major smartphone platforms. A rearview camera, keyless entry, and push-button start, plus a 3-month satellite radio subscription, are included.
Beef Filet on Toast
Everyone enjoyed looking at and being photographed with the #PinkBeetle while also sampling tasty snacks and refreshing beverages!
Avocado Toast with MicroGreens
Be the first to own the #PinkBeetle by taking part in the CharityBuzz auction sponsored by The Pink Agenda. Bidding is live now at This Link, and closes on September 22nd at 4:00 PM EDT !
The 2017 Volkswagen #PinkBeetle goes on sale this fall. Pricing will be announced closer to the launch date. VW says the model will be sold in limited quantities, but we were unable to procure actual production numbers.
Mitchell-Innes & Nash is currently hosting the first major painting retrospective of Tom Wesselmann in New York since the artist’s death in 2004. Organized in partnership with the Tom Wesselmann Estate, the exhibition examines Wesselmann’s role as the great innovator of the American Pop generation and includes a dozen significant works spanning the artist’s career from 1961-2004. Gallery owner Lucy Mitchell-Innes explains that with this exhibition, they hope to show how Wesselmann has filtered the canonical subjects of art — still life, the nude and the landscape — through a unique and personal lens using the media and technical innovation of the sixties, seventies and eighties, offering new possibilities for painting.
Tom Wesselmann is one of the leading figures of Pop Art who used collage, assemblage and shaped canvases to usher in a new vocabulary of painting. He is best known for his career-spanning series, Great American Nude, which featured female figures in intensely saturated interiors.
The works in the exhibition highlight a number of techniques that Wesselmann pioneered, and which are largely unseen among his Pop contemporaries. In an interior still life from 1964, Wesselmann incorporates a functional fan and a clock into the canvas, (see image below) pushing the boundaries of collage and assemblage in a sly nod to the notion of the ‘represented’ object.
Collages from the 1960s feature cut-outs from advertising billboards. Also included in the show are Wesselmann’s steel-cut works (a technique he helped develop), molded plastic paintings (a technique borrowed from commercial signage and used here in the context of fine art for the first time), and his iconic shaped canvases.
Being a fantastic introduction to Tom Wesselmann (should you not already be familiar with his work) this is a very cool and worthwhile exhibit to add to your next art crawl during the month of May.
The Tom Wesselmann Retrospective will be on view through May 28, 2016 at Mitchell-Innes & Nash, Located at 534 West 26th Street, in the Chelsea Gallery District.