Geometric Textile, c.1895
A remarkable collection of Navajo blankets and rugs once owned by Frank Stella will soon be unveiled in a special exhibition presented by Peter Pap Rugs at Arader Galleries. Running from May 15 through June 10, 2026, the presentation will feature 40 historic Navajo textiles gathered by the late artist over several decades.
Continue reading Frank Stella’s Personal Collection of Navajo Textiles Goes on View in New York
Photos By Gail
I keep a fairly extensive archive of photos from the past two decades spent exploring the city’s galleries. Time has a way of slipping by before I can feature something I love in what might be considered a timely manner — but there’s no rule against circling back to a standout piece that still feels worth sharing.
Case in point: these luminous, candy-colored chandeliers, which have been were replaced by a different lighting installation since I first spotted them two summers ago at Petzel Gallery on West 25th Street. They’ve lingered in my memory ever since — impossible to forget and far too striking to leave unseen. Now feels like the right moment to finally give them their due: glowing sculptures that read like a constellation, hovering somewhere between chandelier, artwork, and dream.
Continue reading Eye On Design: Floating Color – Jorge Pardo’s Lightworks at Petzel Gallery
Photo By Gail
To counter the dehumanizing isolation of incarceration, artist Jesse Krimes (b, 1982) works collaboratively with incarcerated individuals to create artworks from old clothing and textiles that evoke memories of home. Krimes developed his own practice while serving a six-year sentence. In Blackwater (2021), Krimes regards the tentacled animal as “a panoptic state of surveillance” and alludes to the eugenic and white supremacist ideas in America zoology. The title, Blackwater, refers to a prison in Florida.
Photographed in the Brooklyn Museum.
All Photos By Gail
There’s something quietly hilarious — and a little haunting — about Waiting Pink Small (2024) by Erwin Wurm, At first glance, it’s just a soft, bubblegum-pink suit, neatly assembled and politely standing at attention. But look again: there’s no body inside. No face, no hands—just posture doing all the talking.
Continue reading Pink Thing Of The Day: Erwin Wurm, Waiting Pink Small
All Photos By Gail
There are certain artists whose visual language is so instantly recognizable that you can spot their work from across the room —or, in this case, across a gallery floor attached to a Land Rover.
I recently stopped by Keith Haring in 3-D at Free Parking, a pop-up exhibition in the West Village dedicated to a lesser-discussed but wildly fun part of Keith Haring’s career: the objects he transformed beyond the canvas. While Haring is most famous for his subway drawings, radiant babies, barking dogs, and dancing figures that helped define downtown New York in the 1980s, this show focused on his three-dimensional works — including two of his rare painted art cars.
Continue reading Keith Haring in 3-D: When the Canvas Has Four Wheels