Most fashion is meant to be worn, but Thierry Mugler’s designs often look like they were engineered as stand-alone pieces of art. I photographed this spectacular look when I visited Thierry Mugler: Couturissime at the Brooklyn Museum in 2022, but it took me this long to take a deep dive into what this design is all about. Dressed entirely in black, this figure has an impossibly sculpted silhouette: exaggerated shoulders, a dramatically cinched waist, sharply defined hips, glossy pointed heels and a fantastical headpiece that makes the wearer look less like a woman getting dressed and more like a character from a futuristic graphic novel. This is all very much Mugler’s territory. Continue reading Eye On Design: Thierry Mugler, When Fashion Becomes Architecture→
This amazing painting featuring a group of seven of the most well-known Fast Food Mascots at a funeral was spotted by me at an arts and crafts street fair in Chicago. They are clearly serving as pallbearers and you can see that the coffin says “Monsanto,” the notorious chemical company. But, what does it all mean? The painting is clearly mounted in an up-cycled window frame, and the rows of towering palm trees in the background indicates that the location is southern California. I neglected to note the artist’s name, so if anyone has a clue as to who painted this, and what it is all about, please leave that information in the comments! Thank you, Drive Through!
The title of this work, One Third of a Nation (1939) references President Franklin D. Roosevelt’s 1937 inaugural address in which he proclaimed, “I see one-third of a nation ill-housed, ill-clad, ill-nourished.” One Third of a Nation is also the title of Arthur Arent’s1938 play, which emphasized the plight of the poor and was funded by the WPA’s Federal Theater Project. In this painting, O. Louis Guglielmi (1906 – 1956) draws attention to the horrid living conditions during the Great Depression. The forms in the foreground resemble coffins, and subsequently suggest a similar reading of the brick tenements behind them. The floral wreath adorning the building’s cornice reinforces this metaphor.
Photographed in the Metropolitan Museum of Art in NYC.
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Features:
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Size (bowl): 6″ x 3-1/2″ x 3″
Size (spreader): 1″ x 4-1/4″ x 1/2″
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