Jayson Naylor’s murals are easy to recognize for his use of bold, psychedelic colors and pop culture images wrapped around an uplifting message. This piece, which is on the side a store located at the northeast corner of Grand Street and Bedford Avenue in Williamsburg, Brooklyn, is called Indulge in Love. As you can see, Jayson has spelled out the word LOVE using images of things we all love to indulge in, such as . . .
An Ice Cream Cone.
A little bit of Love with a Heart-shapedV.
A Delicious Piece of Fruit!
Jayson also a has a piece on the building behind this one, which is only partially visible from street level, so I’m afraid I cannot tell you what that one says. Indulge In Love went up in August of 2019.
This past Christmastime, I traveled back home to California, where I spent many days of wild abandon exploring the southland like I had not since I was a resident, nearly 30 years ago. On a day spent scouring the many wonder-filled features of Downtown LA, I looked down from an overpass I was crossing on Grand Street and spotted this magnificent beast. The curved concrete sculpture features silhouettes of painted steel cars roller-coasting up the structure’s curve.
Part of the Bunker Hill public art project to beautify the Downtown LA area, this monumental piece is called Uptown Rocker by artist Lloyd Hamrol. While initially it appears that you its located on one of LA’s crazy freeways, the sculpture is actual;y located on the very busy Fourth Street. It might be fun to experience the sculpture while driving by, but I think that where I was standing (officially the South Grand Avenue bridge crossing Fourth Street) is the ideal Uptown Rocker) viewing location.
Robert Smithson, Untitled [Record Player], (1962); Record Player with Found Objects and Collage (All Photos by Gail)
When Robert Smithson died in a plane crash in 1973, his fame as an artist was based on his creation of monumental earthworks such as Spiral Jetty, or minimalist sculptures using both Mirrored and regular, plate Glass.
But the James Cohan Gallery (in their brand new space in Chinatown) just hosted its inaugural exhibit, Robert Smithson: Pop, which featured a collection of the artist’s work from the early 1960s — including fluorescent-colored pencil sketches of both male and female nudes, collages, and found object sculptures — all of which were completely unlike anything the average Smithson fan would have been familiar with. You can read more about the exhibit and see photos in this great article over at Hyperallergic.
I went to see Pop just few days before it closed and while I loved the exhibit, there was one piece that resonated particularly strongly with my aesthetic sensibilities. In the rear room of the gallery, along with a few drawings, there was a small portable Record Player inside a display vitrine. The box for the record player is covered in collaged pictures of men and women, tabloid headlines, and plastic trinkets and fake flowers.
Collage on Outside Lid of Record Player
Inside, the box has been filled with twigs and dried grass, which make a nest for a small, blue bird.
The turn table has been transformed into a hot pink pond, filled with tiny toys including neon swans, sail boats, and little plastic babies that float about on their backs across the pink surface. It is so cool and completely visually captivating; it’s hard to believe that Smithson’s early work of Pop Art is over 50 years old now! I never would have imagined, from the works of his that I already knew so well, that Robert Smithson had a body of work like this in his portfolio. I’m glad I was able to see and photograph it before the exhibit closed in mid-January.
Photographed as Part of the Exhibit Robert Smithson: Pop at James Cohan Gallery, Located at 291 Grand Street in Chinatown, NYC.
This big Pink Building, actually known as Big Pink or simply The Pink Building, sits majestically at the corner of Orchard and Grand Streets on the lower east side of Manhattan. The building was formerly the home of Ridley & Sons Department Store and, though recently sold for the sum of $27 million, is landmarked so cannot be bulldozed or have its exterior altered. Small victories.