When Robert Smithson died in a plane crash in 1973, his fame as an artist was based on his creation of monumental earthworks such as Spiral Jetty, or minimalist sculptures using both Mirrored and regular, plate Glass.
But the James Cohan Gallery (in their brand new space in Chinatown) just hosted its inaugural exhibit, Robert Smithson: Pop, which featured a collection of the artist’s work from the early 1960s — including fluorescent-colored pencil sketches of both male and female nudes, collages, and found object sculptures — all of which were completely unlike anything the average Smithson fan would have been familiar with. You can read more about the exhibit and see photos in this great article over at Hyperallergic.
I went to see Pop just few days before it closed and while I loved the exhibit, there was one piece that resonated particularly strongly with my aesthetic sensibilities. In the rear room of the gallery, along with a few drawings, there was a small portable Record Player inside a display vitrine. The box for the record player is covered in collaged pictures of men and women, tabloid headlines, and plastic trinkets and fake flowers.
Inside, the box has been filled with twigs and dried grass, which make a nest for a small, blue bird.
The turn table has been transformed into a hot pink pond, filled with tiny toys including neon swans, sail boats, and little plastic babies that float about on their backs across the pink surface. It is so cool and completely visually captivating; it’s hard to believe that Smithson’s early work of Pop Art is over 50 years old now! I never would have imagined, from the works of his that I already knew so well, that Robert Smithson had a body of work like this in his portfolio. I’m glad I was able to see and photograph it before the exhibit closed in mid-January.
Photographed as Part of the Exhibit Robert Smithson: Pop at James Cohan Gallery, Located at 291 Grand Street in Chinatown, NYC.