I love this rendering of the Frank Lloyd Wright-designed Guggenheim Museum, Located on Fifth Avenue at 88th Street. I’ll be heading up there later today!
Guggenheim Museum with Rose Marble Schematic Drawing (Photo By Gail)
Update 7/3/17: I took the above photo today at the Museum of Modern Art as part of their current exhibit, Frank Lloyd Wright at 150: Unpacking the Archive, up through October 1, 2017.
After an incredibly disappointing trip to The Whitney to see this year’s Biennial (More like Bi-YAWN-nial), Geoffrey and I took advantage of already being uptown and walked three quarters of a mile along Fifth Avenue (such a gorgeous day it was) to The Guggenheim, where sculptor John Chamberlain — who just died in late December — has a fantastic career retrospective that made my heart go pitter-pat.
Background on Chamberlain from The Guggenheim’s always informative website tells us that the Artist moved from Chicago to New York in 1956 and shortly thereafter got the idea to utilize car metal as his medium. Unfortunately, a lot of people misinterpreted his creative re-use of a ubiquitous material in his sculptures as being a reference to the tangled mess of a car crash. Chamberlain “spent the rest of his life outrunning that association. His primary concern was and continued to be three-dimensional abstraction. More sensitive observers noted a kinship between his works and the dramatic modeling of Baroque art and sculptural drapery studies.”
Geoffrey took a few minutes to warm up to Chamberlain’s bold, colorful and flowy sculptures, but I loved them instantly. Considering that most of these works are made from car parts, it’s really astounding how each one is so different and has its own personality, even. If I lived on a huge estate with a ton of land it would be so cool to have one of these in the front yard, I think, or around back by the pool. The sculptures are organized chronologically from the earliest pieces at the bottom of the ramp to newer sculptures — some that Chamberlain completed shortly before his death — placed further up at the top of the rotunda. The shape of the museum really provides an ideal venue to show off these works, as many of them are very large and you can literally walk all the way around them and examine the work from all angles. Each one has its own story to tell.
Choices By John Chamberlain Runs Through May 13, 2012 at The Guggenheim Museum, Located at 5th Avenue and 89th Street in New York City.
It was a few weeks ago now, back on November 11, 2011, that I had my first in person experience with Italian-born artist Maurizio Cattelan’s most unusual retrospective exhibit, All, when I visited the Guggenheim that Friday evening for a live performance by the very excellent pop band, MGMT. The band performed a tight, 45 minutes set of mostly instrumental new material specifically inspired by the 128 separate works now suspended from the ceiling oculus of the museum’s rotunda. The songs fell very much within the surf-psychedelia vein of MGMT’s well-loved sound with a bit of a soundtrack vibe befitting the evening’s experiencing in general. Also, gee whiz, but what a spectacularly hallucination-inducing light show they had! I’m still having flashbacks. Music! Art!
The following week I had to pay another visit to the museum to take in All once again, because when I was there for the MGMT show I had a beer in my hand and the Art Nazis (guards) wouldn’t let me go up past the second ramp with a beer. And you really do need to trek all the way to the top of the ramp to fully experience the innumerable subtle nuances of this exhibit, which literally reveals itself further and further at every turn. The time lapse video above shows the installation process by the museum staff, which will answer your most pressing questions about “just how they got that stuff up there.” See it while you can.
Maurizio Cattelan’s All is on Exhibit until January 22, 2012 at the Guggenheim, Located at Fifth Avenue and 89th Street. Museum hours are extended to 7:45 PM on Monday and Tuesday nights (from 5:45 PM on other days) from December 6, 2011 to January 17, 2012. More information is available at This Link.
Click on This Image to Enlarge
If I didn’t have a calendar in front of me I’d swear it was April Fools’ Day, because I just read about a new musical coming to off-Broadway which is based on the true story of the late sixties’ all female rock band, The Shaggs. For those unfamiliar with this pop cultural phenomenon, the band was composed of sisters Dorothy “Dot” Wiggin (vocals/lead guitar), Betty Wiggin (vocals/rhythm guitar), Helen Wiggin (drums), and later Rachel Wiggin (bass). The Shaggs were formed by Dot, Betty, and Helen in 1968 on the insistence of their father, Austin Wiggin, who believed that his mother foresaw the band’s rise to stardom.
Continue reading Shaggs: Philosophy of The World Comes to the Off Broadway Stage!
I am very sad to learn that French-born, New York City based artist and sculptor Louise Bourgeois has passed away today from a heart attack at the age of 98, according to NY Times ArtsBeat Blog. Back in 2008, Geoffrey and I were fortunate to see Louise’s amazing career retrospective at the Guggenheim and we were both completely blown away by the breadth and diversity of her work and the magnitude of her talent. What a fantastic lady she must have been to know. At least she had a good, long life and left us a stunning legacy of her life’s work. Rest in peace Madam.
