This glass Peacock Vase (1893 – 96), with its evocative form, coloring and iridescent surface, is an icon of the early Tiffany-blown Favrile glass collected by H.O. (Henry) Havemayer. He gave it to The Met in 1896 during the first years of its production; at the time it was considered modern art and an object of rare beauty. These qualities are reflected in the collecting visions presented in the gallery in which this vase is displayed, which features transformative gifts from the Havemeyers through the Annenbergs.
Photographed as Part of the Exhibit Making The Met at The Metropolitan Museum of Art in NYC.
One of Tiffany Studios‘ most popular models, the Wisteria, was priced as $400 in 1906, placing it among the firm’s most costly lamps. The glass selection for the two lamps (both circa 1901) seen in the above photo created two dramatically different interpretations of the same design. One has a refined color palette ranging from pale blue to azure and cobalt, while the other displays bold contrasts of blue and white clusters.
Wisteria abounded in LC Tiffany’s leaded glass windows and on the grounds of his country estate, Laurelton Hall, and although the vine was a Tiffany favorite, Clara Driscoll’s correspondence identifies her as the designer of the iconic Wisteria lamp, which is composed of nearly 2,000 tiny pieces of glass. Designs for the Trumpet Creeper, Grape, and Apple Blossom, each sold with the same treelike base, followed shortly after the Wisteria.
Photographed in the New York Historical Society on Manhattan’s Upper West Side.
When you visit the Queens Museum for any of their rotating exhibits, make sure you also stop in to see the Neustadt Collection of Tiffany Glass, which is an on-going, and incredibly visually stunning, not to mention (but you can see I am about to) very educational exhibit of the art glass of Louis C. Tiffany! Did you know that his first name is pronounced Louie, and not Louis? I had no idea, but now I know!