Tag Archive | Marianne Boesky Gallery

The Haas Brothers Madonna at Marianne Boesky Gallery

Michelle O Palma
Michelle O Palma, Marble Sculpture (All Photos By Gail)

The last time I can recall entering an art exhibit that completely transported me to another world, I think I was here, or even here. So, yeah, it’s been a while. I nearly missed Madonna — not the pop star, but the first solo exhibition of work by The Haas Brothers — at Marianne Boesky Gallery, but I made a special trip after work just a few days before the exhibit closed on October 26th, because I knew, if the photos I’d seen were any indication, that I’d regret not having the opportunity to experience this whimsical group of flora and fauna in person. Even better: I had the gallery all to myself!

Madonna Installation View
Madonna, Installatation View

Madonna, which is also the title of the central figure in the gallery, features a new collection of beaded sculptures, created at a wide range of scales, from the intimate to the monumental, as well as two large-scale sculptures made with Portuguese Pele de Tigre marble.

Haas Brothers Pink Creature
Mouth-ew Broderick

The amazingly fun exhibition captures The Haas Brothers’ increasing interest in exploring nature and spirituality as part of their deep commitment to material experimentation and traditional craft techniques, while also encapsulating their vision of collaborative artmaking.  Since founding The Haas Brothers in 2010, brothers Nikolai (Niki) and Simon have been guided by a vision of creative experimentation, spurning perceived artistic boundaries and embracing instead the limitlessness of imagination and innovation.

Installation View

In the signature spirit of The Haas Brothers’ presentations, Madonna truly immerses viewers into an otherworldly realm, where fantastical animals and odd hybrids reside. Here, colorful sculptures and objects that resemble futuristic creatures are positioned among seemingly rare tropical plants, and connected into a cohesive environment through undulating platforms. Being amongst these creatures felt like I was exploring a natural history museum populated with fairytale beasts!

Haas Brothers Creatures
Deville Wakefield and Worm-man Miller

The featured works capture the Brothers’ wide-ranging artistic processes, from intricate beading techniques to monumental stonework to the incorporation of woven elements, and produce an incredibly tactile and evocative experience. The exhibition also highlights the artists’ diverse collaborations, including with workshops in California, South Africa, and Portugal, and encapsulates their deep engagement and support for those working in traditional craftsmanship.

Lanky Doodle Dandy
Lanky Doodle Dandy

The Haas Brothers were first introduced to beading in 2015, when they met a group of women artisans selling beadworks in a craft market in Cape Town, South Africa. They were enamored with both the complexity of the technique and the incredible artistry in the women’s work. Seizing the serendipity of the moment, the pair established a collaboration with the artisans, which led to the development of the Afreaks series, a group of beaded creatures that were shown at the Cooper Hewitt’s Design Triennial in 2016. Since then, this collaboration with the collective of women, who warmly go by The Haas Sisters, has grown and matured.

Two Creatures and Trees

Haas Brothers Pink Tree
Centurihanna

For Madonna, the collective supported the production of the featured beaded objects, guided by The Haas Brothers’ preparatory drawings, using a selection of Murano glass beads produced in Venice between 1880 and 1980, which the brothers purchased after the factory became defunct. As part of their work with different communities and artisans, The Haas Brothers establish fair pay systems that include both economic support for the creation of works as well as, in some instances, profit sharing from sales. That’s amazing!

Three Creatures
Above Creatures Left to Right: Blue Reed, Ball Lewitt, Centripeter Shire

Madonna Close Up

The beadwork in the exhibition is augmented by two sculptures made with Portuguese Pele de Tigre marble: The Madonna (above, which combines beadwork and carved marble) and the piece which is first visible upon entering the gallery, a partially-embedded stone palm (below) entitled Michelle O Palma. The Brothers first came to stone carving in their youth, learning from their father, artist Berthold Haas, and recently returned to the material. The solid, smooth, and monumental nature of the stone works provides a powerful counterpoint to the more delicate and finely detailed beadworks and highlights the range of The Haas Brother’s practice.

Haas Brother Giant Hand

Here too, community proves an important element, as The Haas Brothers’ engagement has helped spur the development of stone-carving as an economic engine at the quarry that they use.

Madonna Installation View
Installation View

Haas Brothers Creatures

Haas Brothers Blue Creature
Gator Tots

Haas Brothers Creatures
Dennis Eary and Green Latifah

Follow The Haas Brothers on Instagram Here: @thehaasbrothers!

Madonna Installation View

Hans Op De Beek, The Drawing Room at Marianne Boesky Gallery

Installation View with Geoffrey
Installation View With Geoffrey! (All Photos By Gail)

Marianne Boesky Gallery is currently hosting The Drawing Room, an exhibition of new work by Belgian artist, Hans Op de Beeck who works across all media including large installation, sculpture, video, animation, photography, watercolor, drawing, text, and music. His work is a wide-ranging reflection on the tragicomic way in which humans stage and organize their lives, discussing how we deal with both space and time and with each other, and how we often lose the plot along the way. Implementing seemingly banal images, Op de Beeck touches on big, universal themes, frequently serving as a memento mori for the artist. He seeks to find a balance between seriousness and a sense of perspective, between banality and the extraordinary.

Cityscape (The Road), 2015
Cityscape (The Road), 2015

In 2009, Op de Beeck first showed a collection of large watercolors in his solo exhibition In Silent Conversation with Correggio at the Galleria Borghese in Rome, Italy. Since then, Op de Beeck has worked steadily on what is now an enormous series of black-and-white watercolors of fictitious places, landscapes, characters, and objects. Within these works, free association gives rise to images suffused with a sense of melancholy, and between the lines collective themes and emotions are conveyed.

Two Women

In The Drawing Room, Op de Beeck reveals a new series of watercolors in which postmodern landscapes sit side by side with more universal, anonymous images. The artist painted these watercolors during the night, after all of the machines in his studio were switched off, the phones stopped ringing, and his staff had left, sometimes taking until dawn to complete the work at hand.

House

Nighttime
Night Time Film

Op de Beeck utilized the watercolors he has produced over the last six years to create his latest animation on view, Night Time (extended). The film takes the viewer on a silent, enigmatic journey through invented, nocturnal settings that are sometimes populated with unknown figures. The images are primarily timeless in nature, but often show contemporary cultural and subcultural references as well. Many of the frames have a cinematic feel, attributed to ‘establishing shots,’ grand panoramic views, and ‘close-ups’ of bodies and props.

Clouds

Vanitas (Variation) 2, 2015
Vanitas (Variation) 2, 2015

The film and watercolors are complemented in The Drawing Room by two sculpture series. The first, Vanitas Variation, consists of wall sculptures made from solid grey plaster. These monochromatic works combine conventional objects from the still-life genre – candlesticks, glasses, and open books—with more contemporary objects such as soda cups, cell phones, spray cans, and cigarette butts.

Vanitas (Variation)

Gesture (Cherishing), 2015
Gesture (Cherishing), 2015

The second series, Gesture, shows life-size arms (the artist’s) performing simple actions: a hand offering a few blackberries, two hands holding something fragile, a hand calmly writing. The unspectacular gestures bring poetry and solace into daily ritual, and the fossilized scenes from both sculpture series form just another part of Op de Beeck’s mute, somnolent, and nocturnal universe.

Gesture (Tree), 2015
Gesture (Tree)

The Drawing Room, an exhibition of new work by Hans Op de Beeck, will be on Exhibit Through May 2nd, 2015 at Marianne Boesky Gallery, Located at 509 West 24th Street, in the Chelsea Gallery District.

Hans Op De Beek Signage

Must See Art: John Waters’ Beverly Hills John at Marianne Boesky Gallery

Fellini's 8/1/2 Ruler
All Photos By Gail (Click on Any Image to Enlarge for Detail)

While I can’t admit to being fan of every single John Waters‘ directed film (and I have seen most of them), I sure do appreciate his artistic aesthetic, and he seems like a cool person from what I hear. So, I was really excited to rush out to the Marianne Boesky Gallery in 15 degree weather to check out Waters‘ latest exhibit (and third at this gallery) which is called Beverly Hills John. This is an ambitious exhibit which showcases the director/artist’s work in a variety of mediums including photography, prints, collage, sculpture and film — all of which I found to be utterly delightful.

In boundary-pushing works that address Waters‘ obsession with Art, Pop Culture, Pulp Fiction Novels, the Film Industry and Gay Culture, his irreverent humor is evident everywhere you look; but he also gives you something to think about.

Thimk, 2014

Or Thimk about.

Congratulations

In Congratulations (above), Waters riffs on the infamous red dot commonly used in galleries to indicate a sale.

Bill's Stroller, 2014

Bill’s Stroller features a studded leather strap for securing baby and the stenciled names of various underground Gay Sex Clubs.

R.I.P. Mike Kelley

R.I.P. Mike Kelley is a tribute to the late artist, who committed suicide in 2012.

Grim Reaper, 2014

In Grim Reaper, Jackie O and JFK are trailed by Death as portrayed by Bengt Ekerot in the Ingmar Bergman film, The Seventh Seal.

Film Festival

Film Festival takes a famous film title and changes one word, making it grammatically incorrect while (in most cases) maintaining roughly the same meaning. Two detail shots are below.

Film Festival Detail

Film Festival Detail

Separate But Equal

Separate But Equal, (2014)

Chicken Pulp Fiction

I have no comment for this one.

Lovesick, 2014

Lovesick, (2014)

Kiddie Flamingos Table Read
Screenshot from Kiddie Flamingos

The absolute highlight of the exhibit (for me) is a new 74-minute video entitled Kiddie Flamingos, which is one of the most hilarious things I’ve ever seen in my life and is brilliant on so many levels. Kiddie Flamingos shows a table read of Waters’ X-rated 1972 cult film Pink Flamingos, rewritten as a children’s movie with an all-kid cast. Bluntly put: this video is mind blowing. Even if you can’t stay for the entire film, make sure you see at least 15 minutes of it, because it is just insane. According to the press release, “Waters hopes that this defanged and desexualized sequel is even more perverse than the original, transferring innocence into a new kind of joyous, G-rated obscenity.” Seriously, don’t miss this exhibit.

John Waters: Beverly Hills John will be on Exhibit Through February 14th, 2015 at Marianne Boesky Gallery, Located at 509 West 24th Street in the Chelsea Gallery District.

Beverly Hills John Signage

Must See Art: Frank Stella Sculpture at the Marianne Boesky Gallery

Puffed Star II, 2014
Puffed Star II, 2014, Polished Aluminum (All Photo By Gail)

Can you believe that Frank Stella is 78 years old and he is still making amazing sculptures like Puffed Star II? I can’t even believe it — and yet, it is true. Right now, Marianne Boesky Gallery presents Frank Stella Sculpture, the artist’s first solo exhibition at the gallery since joining in the spring of 2014, and you really have to check it out. Because, Look at this:

K.150, 2014
K.150, 2014

Just Look at it!

K.150, 2014

K.150, 2014

If this were the only piece in the show, it would still be worth going to. K.150, as it is called, was rendered using rapid prototyping or 3D printing. So remarkable.

K.150, 2014

K.150, 2014

If I owned this sculpture, I would never, ever stop looking at it. But wait, there’s more!

Sanibel to Sobolnoye, 2014
Sanibel to Sobolnoye, 2014

This one is pretty cool as well.

Sanibel to Sobolnoye, 2014

Fishkill, 1995
Fishkill, 1995

This one, Fishkill, is from Stella’s Hudson River School series.

Frank Stella Sculpture Sturdy

I think this one is a study for larger work, as you can see a tiny model of the Puffed Star inside of it. Go see this exhibit while you can.

Frank Stella Sculpture will be on Exhibit Through December 20th, 2014 at Marianne Boesky Gallery, Located at 509 West 24th Street, New York, in the Chelsea Gallery District.

Frank Stella Sculpture Signage