Opus 951465 (2021): Painted Steel, Knotted Polylinear Cubic Lattice Path (All Photos By Gail)
The National Museum of Mathematics (aka MoMath) might not be a venue where one would expect to also find an art gallery, but they have one: and in the case of sculptor Anton Bakker, the venue is ideally suited.
Opus 951465 Digital Rendering
Bakker is a contemporary artist specializing in sculpture and its digital possibilities. He has been influenced by his life experiences in the Netherlands, France and now the US, where his artist practice has been based for more than ten years. Mo Math’s Composite Gallery is currently hosting Alternative Perspectives, an exciting exhibit of Bakker’s work — including several monumental pieces — that is complemented by the inclusion of nine rare works by the artist’s biggest influence, the legendary MC Escher.
We were very sad to learn of the passing of groundbreaking painter and Op Art pioneer, Julian Stanczak on March 25th of this year. He had good, long life! As a last hurrah, Mitchell-Innes & Nash is currently hosting The Life of the Surface, Paintings, 1970 – 1975, an exhibition of Stanczak’s paintings exclusively from the years 1970 to 1975. This long-planned exhibition is Mitchell-Innes & Nash’s second solo exhibition with the artist, and the first since his recent passing.
David Bowie from theAladdin Sane tour, 1973. Photographed by Masatoshi Sukita. Zelouf+Bell’s Stones in a Pond Cocktail Cabinet Optical illusion. Photo by Roland Paschhoff. (All Post Photos By Gail)
ZELOUF+BELL’s new season Stones in a Pond Cocktail Cabinet is the third in their cocktail cabinet series with a signature motif; its doors inlaid with patinated solid brass in an optical pattern inspired by the ripple-effect of stones dropped into a pond.
Patinated hinges allow the glistening doors to completely fold back to reveal an ivory ripple sycamore interior, shagreen work surface and leather-lined drawers with handmade ivory figured sycamore pulls.
The top of the cabinet’s oil-filled rotary damper allows it to fall slowly, closed. The cabinet sits on a patinated brass base. Created in a limited edition of 6, plus 1 AP. Visit This Link for more information.
Photographed at the Architectural Digest Design Show at Pier 94, NYC, March 2016.
I don’t think I could count the number of times I overheard someone mention how much the paintings of Julian Stanczak reminded them of Op Art pioneer Bridget Riley while we cruised around the opening reception for From Life, Stanczak’s new exhibit over at Mitchell-Innes & Nash. Trust me: it was a lot – and I was thinking the same thing.