All Photos By Gail
Over the weekend, I took a trip to the New York City Jewelry, Antique & Object Show at the Metropolitan Pavilion, where I was delighted to find a booth from favorite vendor — a veritable shrine to the color Pink courtesy of Gravitas Antiques of Miami. Gravitas’ online presence may be minimal, but trust me: their eye for exceptional vintage objects speaks for itself.
Continue reading Pink Thing of the Day: Collectible Confections from the NYC Jewelry, Antique & Object Show
Photo By Gail
This striking sky-blue Venetian glass ewer captures the imagination with its fantastical dragon-shaped handle — a signature flourish of the 19th-century Venetian glass revival. During this period, master glassmakers looked back to the opulence of Renaissance designs, reinterpreting them with new techniques and dazzling colors. Recently, novel conservation methods have been applied to this ewer, reviving its original luster and reminding us why Venice’s glassmaking tradition has been celebrated for centuries.
Photographed at the Metropolitan Museum of Art, NYC.
Photo By Gail
The designer of this Ewer has borrowed an elegant Islamic form from 14 century works of glass and metal work produced in Egypt and Syria. The pattern is Italian, an elegant filigree technique known as Lattcino, achieved by blowing the vessel with clear and white glass canes. The ewer was, however, likely made in northern Europe or France in a pervasive imitation of Italian glass call ‘in Venetian style.’
Photographed in the Metropolitan Museum of Art in New York City
Photos By Gail
Symbols of speed and good fortune, Dolphins swim down the sides of this ocean-colored vase (1866–70s) from Salviati & Co. John Ruskin’s Stones of Venice created a wave of enthusiasm for the lost art of cristallo. Published from 1851 to 1853, Ruskin’s book proved a stroke of good luck for Venetians seeking to revive old glassblowing techniques.
Installation View
Photographed at the Metropolitan Museum of Art in NYC.