I passed by this cool Brownstone last week and just had to snap a photo of its fun Halloween decor, including three witches at a cauldron out front, and an entire posse of frolicking skeletons on the balcony. After Halloween had to be canceled last year, NYC is all-in for this year’s celebrations. Some of the decorations that people have up on their buildings are just insane. And that’s how we like it.
Brooklyn-based artist John Mosler’s first large-scale outdoor sculpture, Decusatio – meaning Intersection in Latin – is now installed on the terrace at Norwood, the historic townhouse and private members club at 241 West 14th Street. The figurative work was informed by its 14th Street location which, for many, has come to serve as a delineation point between uptown and downtown.
Placed on the balcony, Decusatio is hard to miss; rising over eight feet tall, and painted in a vibrant yellow hue. The work offers a conceptual framework that is intended to respect and enhance the Club and its history, while simultaneously connecting to the location, activity and history in the surrounding area.
Decusatio’s placement required innovative technical and engineering applications by the artist to ensure it was light enough to be easily placed on a metal balcony, while also durable enough to withstand the outdoor elements. Mosler offers, “The figurative over tone and the bright yellow color is intended to capture the intersection of humanity and the vibrant human interaction in the surrounding physical environment.”
Martin Kesselman, color influencer and owner of INCOLOUR, worked with Mosler on finding the right hue. “Yellow tends to be perceived in many different ways, more so than other colors,” he explains. “We wanted to stay clear of a frosty cast, one that may veer green. Natural exterior light can play some trickery, so we had to walk that warm and cool fine line.”
The Andrew Norwood House is an elegant urban residence designed in a transitional style which combines Greek revival and italianate features. A remarkably preserved slice of early Victorian architecture and lifestyle – both inside and out; the House is listed on both the National Register of Historic Places and the New York City Landmarks Preservation Commission.In 2007 Alan Linn opened Norwood Club, a bustling five-story club with more than 1,100 members ranging from 21 to 80 years old. Its ranks include architects, artists, fashion designers, musicians, media moguls, and art collectors.
With the short span of time this year between celebrating Thanksgiving and the arrival of Christmas, it’s easy to forget that it’s still technically fall in NYC. That said, by Black Friday afternoon, fall decor was in a losing battle with Christmas decorations that started appearing on the streets and in storefronts shortly after Halloween. Crazy.
I doubt that this lovely autumn leaf wreath is made from actual leaves (it’s likely silk or some other fabric), but dang if it didn’t make me stop in my tracks and appreciate the beauty of nature when I saw it adorning the face of a Brownstone in Chelsea. And what a nice sentiment as well: Peace. Here’s the full shot below. Breathtaking.
Spotted on 22nd Street Between 7th and 8th Avenues in Manhattan.
This Sign Says: Peter Alexander New Resin Works (All Photos By Gail, Click on any Image to Enlarge)
Nyehaus Gallery, located in a gorgeous restored brownstone on West 20th Street, has launched an exciting exhibition of new resin works by pioneering California-based Light and Space artist, Peter Alexander. This exhibit was a delightful companion piece to the Keith Sonnier exhibit I saw at Mary Boone last month, being all about minimalism, color and the interaction of light and art.
Alexander described these works – in which fields of what initially appears to be one color vary in their gradation and degree of saturation – as being, “Like what water does on coastlines when you fly above it, that movement from saturated color to transparency where it fades and becomes part of the sand. I’m interested in addressing that moment with this work, when the whole piece becomes part of a greater thing, part of the air. It addresses the room it’s in. It wants to become a part of the room by disappearing into it.”
Based on impressions I got from perusing Nyehaus’sOnline Catalog of Alexander’s resin works (way worth checking out at that link, by the way), I was expecting a greater number of pieces in this exhibit. Sadly, there is only a fraction of the works on display throughout Nyehaus’s three floors of gallery space. Still, it is worth a trip for fans of color and minimalism.
What I love about Alexander’s work is how it challenges the viewer’s ways of seeing. In contrast to traditional paint on canvas, resin affords these works endless ability to play with the light of the rooms in which they are displayed. It’s challenging to capture the subtleties with a point and shoot camera, but very much in evidence when experiencing the artworks in person. I’ve tried to show the contrast in the shots below:
Blue Square Viewed from Hallway Outside Gallery
Blue Square Viewed from Close Up
Blue Square Edge Detail
Another fun and inviting aspect of any opening reception at Nyehaus is the fact that they always serve a selection of delicious Latin dishes, prepared fresh in the Nyehaus open kitchen. These days, many galleries have even cut back on serving wine at openings, so to have a full meal prepared for you is simply unheard of on the Chelsea gallery scene.
Serving food also boosts the social aspect of these gatherings, breaks down walls and brings people together. It’s such a great idea and so generous of Nyehaus.
New Resin Works by Peter Alexander will be on Display at Nyehaus, located at 358 West 20th Street (just East of 9th Avenue) until April 20th, 2013. Gallery Hours are Tuesday to Saturday from 11:00 AM to 6:00 PM.