Mattel launched the Barbie doll in 1959, but it was only in the late 1970s and 1980s that much of her wardrobe became a bright pink, known as “Barbie Pink.”Jeremy Scott of Moschino collaborated with Mattel on this Moschino Barbie (whose outfit is copied in fine detail from the pink leather ensemble seen below) that was available to purchase in the spring and summer of 2015.
Both the doll and the outfit above were photographed as part of the exhibit Pink: The History of a Punk, Pretty, Powerful Color, on view at The Museum at FIT in NYC Through January 5th, 2019.
Color plays a powerful role in Eatwell Assistive Tableware (2015). Designer She Yao’s grandmother lived with Alzheimer’s disease. Her cognitive and sensory impairments caused her to eat less that she should. The Eatwell bowl uses the color blue, which does not appear in food, helping people with Alzheimer’s to distinguish food from the dish.
On the exteriors of the bowls, the colors red and yellow stimulate appetite. All pieces stand out from the table setting to enhance cognition.
Photographed in the Cooper Hewitt Design Museum in Manhattan.
Scott Putesky (aka Daisy Berkowitz): April 28, 1968 – October 22, 2017 (All Photos By Gail)
I believe that it is possible to live an entire lifetime in one day. I met Scott Putesky (sometimes better known as Daisy Berkowitz, founding member and original guitarist for the band called Marilyn Manson) in 2015 at mutual friend Mark Kostabi’s semi-annual Jazz Art Brunch. Mark, an accomplished musician himself, knows a ton of other musicians, and people always get up and jam with the band. At one point Scott played keyboards and sang a couple of cover songs. After he finished his set, I introduced myself, since I had written extensively about his band back in the day and I knew we had a few other mutual friends. Scott turned out to be very down-to-earth guy, and a terrific conversationalist, so we drank and laughed, talked about art and exchanged cards for a possible future meet up.
Mark Kostabi with Scott and Me at Frieze 2015
I already new from hearing it in the media that Scott had been diagnosed stage 4 colon cancer, and in one of our first conversations he told me how he was undergoing chemotherapy sessions every other week to keep it in check. He wasn’t shy about discussing his treatment because he wanted people to understand that he was fighting as hard as he could, and that he was also determined to live his life to the fullest. At this point, his prognosis did not include the probability of a cure and recovery. He was just trying to buy as much time as possible.
Scott did not want to pose with this relief sculpture of two sunflowers, but I made him do it. He loved the resulting photo so much he used it as his FaceBook Profile Photo for nearly a year.
Scott was not only a musician, he was also a fine artist who had a voracious curiosity about art history. The annual Frieze Art Fair (which takes place on New York’s Randall’s Island) was coming up and Scott had never been, so we made plans to attend together. I thought it was hilarious when he asked me what he should wear. “You’re a Rock Star,” I reminded him. “You don’t need me to tell you how to dress.” Scott showed up to the dock wearing a bespoke kilt made from Clan Scott Tartan along with the complete traditional accessories. It should not surprise anyone that once we arrived at Frieze, everyone asked “the guy wearing the kilt” to pose for photos. I took a few myself and will now share them with you, because I think they show a fun-loving side of Scott, and he would appreciate being remembered in this way.
One of the works that Scott most wanted to see at Frieze is this Red Plank by minimalist pioneer John McCracken.
Scott With John McCracken Sculpture Vibes
Scott Considers a Sculpture Called the Mood Machine
No Art Fair Experience is Complete Without at Least One Commemorative Mirror Selfie
Photo By Mark Kostabi
Sadly, I have neither any knowledge of the title of this work, nor the artist’s name.
This work is entitled It’s the Buzz, Cock by artist Linder Sterling. The image was famously used as the sleeve artwork for the Buzzcocks‘ 1977 45 RPM single release, Orgasm Addict.
This piece is by an artist whose work I know, and whose name I should remember, but I just can’t recall it right now. Scott’s expression is hilarious to me.
Scott and I wore ourselves out at Frieze and took the ferry back into Manhattan around 5:00 pm to attend another hyped-up-the-ass exhibit opening, which turned out to be a bust. Not to be deterred from continuing our Art Safari into the night, we moved on to another exhibit just up the block, and then took the party to a place that was once the home of Manhattan’s longest bar for snacks and drinks, and more conversation. Later, we walked in a light rain from Houston to Union Square, stopping in at the occasional curiosity shop like this place (where Scott purchased a large bag of assorted Gummy Candies) before I finally dropped him off at the subway on 14th Street and then continued on to my home.
We had an entire lifetime in one day.
Even above all of the times I saw him onstage with Marilyn Manson, my favorite memories of Scott are of the day we spent at Frieze and then prowling downtown Manhattan like two friends who just loved art and NYC. Now, you have those memories as well. RIP Scott. You are very much missed.
In Jonas Wood’s (b, 1977) paintings, he often uses intricate decorative patterning to render ordinary objects that hold personal resonance for him. Some of the pots depicted in Night Bloom Still Life (2015) were make by Wood’s wife, Shio Kusaka. Thus, the painting is just as much a self, or family, portrait as it is a still life. “You could call it a visual diary or even a personal history,” the artist has said. This everyday quality, accentuated by flat planes of color and uniform detail, makes the spatial ambiguities in Wood’s work — such as the impossible perspective of the table — all the more disorienting.
Photographed in the Whitney Museum of American Art in NYC.
The Face Dress by Danish fashion designer Henrik Vibskov is a white cocoon dress featuring a V-neck, sleeveless design, with an oversized fit, gathering details, a straight hem and an Origami Face detail to the front. Made of 100% polyester, it retails for $1247.50 and can be purchased at This link.
Photographed in the Designmuseum in Copenhagen, Denmark.
If you are lucky enough to live in or near a big metropolitan area like New York City or Los Angeles, then you probably have the opportunity to see just about every big band that tours, because there is no shortage of huge concert venues. But if you live less centrally, in a rural location, or have life circumstances (kids, weird hours at work, school, shortage of disposable income) that make it hard to get out to a concert, then the rare Live Concert Film that plays in a local movie theater is a godsend. Fans of Las Vegas-based rock band Imagine Dragons who’ve either been unable to catch the band on tour, or just want to see them live again, will be thrilled to know that Fathom Events, CinemaLive and Eagle Vision are bringing Imagine Dragons In Concert: Smoke + Mirrors to the big screen nationwide for a one-night concert event on Wednesday, March 2nd. Exciting!
Something I just learned is that Imagine Dragons‘ lineup includes three out of four guys who are all named Dan! That is crazy, right? Too bad they could not call themselves Band of Dans, because that name is already taken by They Might Be Giants‘ back up band, and The Dan Band is also taken. Anyway, Smoke + Mirrors — which is also the name of the band’s most recent #1 album — gives fans plenty of close-up face time with lead vocalist Dan Reynolds, guitarist Daniel Wayne “Wing” Sermon, bassist Ben McKee and drummer Daniel Platzman. Reynolds is, of course, the focal point, and the fact the that stage has a catwalk, which allows him to glad hand a large number of enthusiastic, smart-phone-wielding fans on the floor, certainly adds to the film’s intimate dynamic. And it really must be said that the fifth band member is the actual stage set itself, which includes a group of tall four-sided, mirrored columns that are staggered in a half-circle formation around the back of the stage. If you’ve ever driven into or out of LAX, think of that Kinetic Light Installation at the entrance and you will have some idea of what it looks like. Various projections bounce off the columns and create terrific atmospheric effects, including one song where it looks like the entire stage is on fire. Very nice.
The featured Smoke + Mirrors concert performance was filmed entirely on one night, July 4th, 2015 in Toronto in front of 15,000 people at the Air Canada Centre; a venue that resembles Madison Square Garden in set up, but is slightly smaller in capacity. Filmed in what is called Dolby Atmos, an array of speakers are not only all around the walls of the theater, but also on the ceiling, so you really do feel like you are right there in the venue. Imagine Dragons is super tight live, and it is obvious from Dan Reynolds’ plentiful on-stage crowd banter that they really love and appreciate their fans. My guess is that if you met the band members in real life, they would not act like dicks to you.
Music taste is more subjective today than ever, I so I really don’t want to turn this into a critique of a band whose music does not necessarily resonate with me, personally. I ‘imagine’ that if you like Imagine Dragons mostly very AOR tunes, Smoke + Mirrors will be the greatest concert film ever. And if you’ve been unable to see the band live, and really want to, this will give you an excellent, next-best-thing-to-being-there idea of how they are in a live forum — which is to say theoretically excellent. For me though, their music goes right through me leaving absolutely no hook residue in its wake, so if you are not fan, I think I can safely say that you can skip this. The only two songs of theirs that I know (and that is mostly because they are both used on TV commercials) — the rousing “I Bet My Life” and dystopian “Radioactive” — come at the film’s very end. Smoke + Mirrors is technically flawless – but I could not help during the screening but wish that I was watching Tame Impala or Hosier; two bands I saw live last year whose shows just blew me away.
For tickets and participating theaters showing Smoke + Mirrors, visit This Link. Run time is 1 hour and 35 minutes.