Restaurant owners spend hours refining menus and fine-tuning prices. But here’s the thing: guests rarely remember what the font looked like on the menu. They do remember how they felt sitting in your space.
If the chair was hard.
If the table wobbled.
If they couldn’t wait to stand up and leave.
I’m always drawn to chairs that feel like they’re doing more than just sitting there — and the Tucroma dining chairs by Guido Faleschini are exactly that kind of piece. This set of six installed around a rectangular glass dining table is one of those perfect 1970’s design moments where everything clicks: material, form, color, and space all working together without trying too hard. Continue reading Eye On Design: Guido Faleschini’s Tucroma Dining Chairs for i4 Mariani→
I first encountered John Procario’s Sculpted Chaise last fall at Salon Art + Design, tucked into the Todd Merrill Studio booth, where it immediately stood apart — not by volume or flash, but by the quiet authority of its line. Seen in person, the piece read less like a sofa and more like a drawing pulled into three dimensions, its elongated curve unfolding slowly across the floor. Continue reading Eye On Design: John Procario, Sculpted Chaise→
The frame of André Dubreuil’s Spine Chair (1986) is constructed from five steel rods, each shaped by hand in a vice or jig and joined with visible welds. Lengths of flattened iron tubing — purchased flat and then formed in the workshop — are openly attached to the frame, with the marks of manufacture intentionally displayed rather than concealed. This emphasis on process reflects Dubreuil’s rejection of modernist ideals of seamless perfection in favor of material honesty and expressive construction. Continue reading Eye On Design: Spine Chair By Andre Dubreuil→
Different designer’s experiments with new materials have marked important, turning points in the history of design. Gaetano Pesce never stopped experimenting with them – in particular with residence. As one could infer fro its name, 1984’s Pratt Chair (3) is one of nine he produced as part of a project for the Pratt Institute, are renowned art, and design school in New York. Continue reading Eye On Design: Gaetano Pesce Pratt Chair (3)→
