Christian Dior’s “New Look” was central to the postwar revival of the Paris couture system. In addition to selling individual couture dresses to private clients, Dior also sold licensed copies, like this one of his Columbine dress, which was produced in the US for American department stores. The number of such high-end reproductions was limited, but there were also mass-produced garments that catered to the desire for at least “a copy of a copy of a Dior.”
The Dress Pictured Here is a Licensed Copy of Dior’s Columbine Dress by I. Magnin and Lord & Taylor circa 1947. Photographed as Part of the Exhibit, Paris, Capital of Fashion at the Museum at FIT in Manhattan.
William Baziotes (1912 – 1963) embraced the Symbolist concept of “correspondences”– poetic analogies in which a single form can suggest multiple references. Also influenced by the surrealist works of Pablo Picasso and Joan Miro, Baziotes painted semi-abstract images with legible though ambiguous forms, like those found in Figure on a Tightrope (1947). In the year that he made this painting. Baziotes explained his process, “Each beginning suggests something. Once I sense the suggestion, I begin to paint intuitively. The [intuitive] suggestion then becomes a phantom that must be caught and made real.”
Photographed in the Metropolitan Museum of Art in NYC.
I can’t let my good friend Neal’s Birthday slip by without giving him a shout out on the blog! Born on September 23rd, 1947, Neal turns Sixty-Six Years old today and still looks fantastic! Rock On Neal, and have a Billion Dollar Birthday!
Yes guitarist (also a member of Asia) Steve Howe was born on this day April 8th, in 1947. The band Yes was a passionate favorite of mine growing up in the seventies. In fact, one of the most crazy fun and highly memorable concerts I’ve attended was the co-headlining concert of Yes with Peter Frampton back in the summer of 1976, which took place before a crowd of 55,000 people at Anaheim Stadium in Southern California. Although he does not enjoy the level of continued buzz as, say, a player like Jimmy Page, to give you an idea of his popularity during Yes’s heyday, Steve was voted Best Overall Guitarist in Guitar Player magazine five years in a row from 1977 to 1981. Below, please enjoy a live clip of Steve playing “The Clap” and also the acoustic ballad “Mood For Day” to hear an example of his one-take perfection. Happy Birthday, Steve!