In the midst of Black Friday bargain-hunting, I passed by this pair of large Silver Ears attached to the glass doors of a not-yet-opened business called, as the sign on the left door would indicate, Inked. A little Googling reveals that the ears belong to the future home of a retail shop and tattoo parlor affiliated with Inked tattoo lifestyle magazine. Originally scheduled to open its doors in October, Inked will inhabit an 8,500-square-foot space for an art gallery, tattoo studio” in this ground floor space in Chelsea. Inked will be the first retail location for the tattoo lifestyle company. The magazine was launched in 2004, reaching some 1.2 million readers, according to a press release.
The Inked Retail Store is (or will soon be) Located at 150 West 22nd Street Between 6th and 7th Avenues in Manhattan.
This morning, I was walking to my office when a guy dressed in full on Chef Whites handed me what I thought was a takeout menu, but which turned out to be a copy of Food Truck Magazine. Apparently, Food Truck Magazine is now a thing. This makes sense since Food Truck competition shows are all over the TV and there are even Food Trucks parked in front of the Metropolitan Museum of Art (see page 10 for a story on this hot button issue).
In contrast to the ethereal, romantic, midnight cabaret vibe of Blonde Exodus, my favorite album by Scottish expat Chris Connelly, Artificial Madness, the latest from the ex-Ministry/RevCo vocalist is fierce, briskly paced and vibrant with frenetic energy. Oh Chris, why did you stay away so long?
While the undeniable bombast of Connelly’s impressive musical pedigree is in full evidence over the course of these eleven tracks, he’s also imbued these tunes with the essence of eighties-era bands that, in effect, carried the torch for all that came along in the nineties. “Wait for Amateur” would sound right at home book-ended by “Terror Couple Kill Colonel” and “Dark Entries” on a Best-of Bauhaus album and “The Modern Swine” resembles an aural bow to Howard Devoto’s Magazine, whether intentional or otherwise. As always, Connelly’s sublime Bowie-esque croon takes even Peter Murphy’s embodiment of the Thin White Duke past the realm of homage and into the arena of a vocalist whose imprint is arguable matched only by Bryan Ferry among those currently recording. If you enjoy music with a serious pulse, there is no reason not to add Artificial Madness to your collection.
Chicago-area fans can catch the Artificial Madness record release show on Friday November 18, 2011 at The Hideout. For this show, Chris will be joined by the those who backed him on the album including producer Sanford Parker (Minsk, Nachtmystium), Noah Leger (The Karl Hendricks Trio, The(e) Speaking Canaries, Head of Skulls), Will Lindsay (Indian, Nachtmystium, Wolves in Throne Room), and Dallas Thomas (The Swan King, Circle of Animals, Asschapel).
Malevolent, beautiful, creepy and compelling all at once, Artificial Madness, out on Relapse Records on Tuesday, November 8, 2011, is one of my favorite releases of the year.
I have always wanted to work for someone young enough to be my kid. Now’s my chance! I did this already for some nit-wit at **** ****
Magazine, but I figure you at least know who The Beatles are, so I might have a better shot here. And your Twitter posts indicate that you do enjoy an adult beverage now and then, so, if nothing else, we can get smashed together. So just hire me. I really hate it here.