The phrase immortalized on this canvases, Wen Out For Cigrets (1985), refers to an American cultural trope in which a father leaves the house to buy cigarettes and never returns, abandoning his family.
Ellsworth Kelly’s Colors for a Large Wall, with Fan, at MoMA (All Photos By Gail)
Confession: I am obsessive about taking photographs of art that includes no people in the frame. To achieve this goal requires great patience. There is no telling how long you will need to wait for one or more endlessly dawdling, selfie-snapping, oblivious art fans to GTF out of your way so you can get the shot. It is a character-builder, for sure. Continue reading More Spy Pics of People Looking at Art→
Roulette: Number Five (1964), an assemblage work, is one in a series titled Roulette by Japanese artist Mokuma Kikuhata (1935–2020). The title refers to a game of chance where players guess where a ball will land within a spinning numbered wheel.  To make this artwork, Kikuhata combined and arranged what he called “everyday objects—used and unwanted,” including a metal pail, a baseball, and a can.
In 1956, Atsuko Tanaka (1932 – 2005) gave a performance while wearing a sculpture called Electric Dress, which was made from 200 blinking incandescent lightbulbs, and tubes covered in red, blue, yellow and green enamel paint. The concentric circles and circuitous lines of this Untitled painting were directly inspired by that performance. Continue reading Modern Art Monday Presents: Untitled By Atsuko Tanaka→
“I visited a Ferrero chocolate factory, and it was incredible: millions of pieces of chocolate just churning out,” Thomas Bayrle once recounted. “It was absurd and somehow funny, but also terrifying and sublime in its vastness.” This sense of awe is conveyed in many of Bayrle’s works, in which he interlaces and repeats a single image to create a complex larger whole – an approach informed by his early training in weaving. Continue reading Eye On Design: Cups Wallpaper By Thomas Bayrle→