This bright red armchair that looks like it was chiseled from a boulder is actually sculpted from polyurethane foam and upholstered in a brushed velvet-like polyester, making it quite a comfortable place to rest. Species II (circa 2015) is part of the Species series by London-based design duo Fredrikson Stallard, following their study in evolution through the media of furniture design. The designers claim that the chair was “created with a brute force that is at odds with ideas of comfort or human contact, yet so inviting by the nature of its materials.” I think anyone can see what they are getting at.
In Verner Panton’s Notes on Color, the Danish designer stated:
“In Kindergarten, one learns to love and use colors. Later on, at school and in life, one learns something called taste. For most people, this means limiting their use of colors.”
The design career of Verner Panton (1926 – 1998) reached its first peak toward the end of the 1950s. With a furniture series based on simple geometric shapes, Panton anticipated elements of Pop Art, while also emulating the elegance of Scandinavian Modernism in the execution of the bases.
The most famous designs from this series are the Cone Chair and the Heart Cone Chair (1959). The Heart Cone Chair takes its name from its heart-shaped silhouette. The extended wings of the backrest are reminiscent of Mickey Mouse ears, but can also be interpreted as a contemporary development of the classic wingback chair.
Photographed at the Cooper Hewitt Design Museum in NYC.
While he is mainly known as a true icon of the fashion world, designer Jean Paul Gaultier has also spent more then two decades invested with furniture manufacturing. In collaboration with French furniture-maker, Roche Bobois, Gaultier has launched his “sexy and bedroom inspired” furniture collection, and the Roman chariot-inspired Ben Hur armchair belongs to this collection.
In this design from 1928, partly inspired by an office swivel chair, Charlotte Perriand softened the rigidity of the tubular, chrome-plated frame with a stuff cushion resting on coil springs. Because the frame and the upholstery required considerable handwork, the chair was relatively expensive and manufactured in limited numbers. Perriand used such chairs in her own Paris apartment.
For this week’s Eye on Design, we are presenting a fabulous visual recap of the 20th annual Dining By Design event, sponsored by Design Industries Foundation Fighting AIDS (DIFFA). Continue reading Photos From DIFFA’s 20th Annual Dining By Design!