Street art aficionados know that Freeman Alley is the premier spot on the LES for checking out contemporary street art as it is happening. The alley’s visual landscape of wheat pastes, stickers and stencils changes daily, so I like to head over there a few times a month to see what’s new and share the best discoveries here on the site. It was during a visit in mid-February that I started seeing the art of Goldloxe in a series of paste-ups depicting nearly identical little girls — wearing baby doll dresses, Mary Janes shoes and bobby socks — which are part of her Just a Girl collection. For Goldloxe, these girls are all about “Celebrating unapologetic women who won’t stop pushing boundaries and challenging the status quo.” Heck yeah!
Brittle House By Will Cotton, 2000 (All Photos By Gail)
Like Paul McCarthey’s ill-fated Butt Plug Tree, I like art that pushes boundaries. That’s what I found in abundance when Geoffrey and I made the scene last Saturday at Flag Art Foundation in Chelsea for the opening reception of a group show they call Disturbing Innocence. It was definitely disturbing.
Mummified Barbies by EV Day
Curated by Eric Fischl, Disturbing Innocence features over 50 historical and contemporary artists whose use of dolls, toys, mannequins, robots, and other surrogates forms a deep and powerfully expressive genre. The exhibition poses profound questions surrounding social constructs of youth, beauty, transformation, violence, sexuality, gender, identity, and loneliness.
Amy Bennett, Property Line, 2007
Inspired by Fischl’s own childhood in suburban Long Island, NY, and his early career as an artist working in New York City in the 1980s, Disturbing Innocence presents a subversive and escapist world at odds with the values and pretensions of polite society. Ninety percent of the art on display is not for the easily offended, but if you are open minded and appreciate stuff that is a bit — or a lot — twisted, then this will be your thing.
Let’s take a look at some highlights from the show!
This snow globe features the serene, wintery scene of one clown standing on the back of another clown in order to commit suicide by hanging himself. Because clowns are scary!
I call this one Nude Rapunzel, because none of the names of the art/ artists were posted adjacent to the works, which is just lazy if you ask me. Or, rather, it makes me feel lazy for not scouring the interwebs thoroughly enough to glean the name of the artist/piece.
Here is one of the less disturbing pieces in the show: it looks like an exploding plastic bag trapped inside a cage.
Here is a closer look. I like it.
Playdate by John Waters, 2006
Look! It’s baby Michael Jackson post-plastic surgery disaster. Let’s find out who his playmate is.
Why, it’s baby Charles Manson! Oh, the cuteness.
This one is just insane.
I did a Google image search of “Sculpture made of breasts” to try to find the name /artist of this piece and got about 100 hits, none which were this sculpture.
This piece, which is a video of a talking head projected against a split sphere, really reminded me of the talking statues in the Haunted Mansion at Disneyland. It’s the same technique used to give the mannequins expressive faces at the Brooklyn Museum’sJean Paul Gaultier exhibit last year.
Jennifer Rubell, Nutcracker Doll
This functional Nutcracker Doll might be a bit big to keep on hand in your kitchen, but it sure would be a hit at your holiday party!
This sculpture of Siamese Twin Girls was the most disturbing piece in the show, for me. I wish I knew more about it.
I think that all of these sculptures and tableaus, such as the one-armed child above, are perhaps meant to make us more comfortable with seeing and being around people that look different from ourselves. I don’t know that there are any definitive answers, but Disturbing Innocence at the very least aims to start a conversation.
Find out more about Eric Fischl and artists involved in Disturbing Innocence by visiting This Link.
Disturbing Innocence will be on Exhibit Through January 31st, 2015 at Flag Art Foundation, Located at 545 West 25th Street, 9th Floor, in the Chelsea Gallery District. Gallery Hours are Wednesday through Saturday, 11:00 AM – 5:00 PM.
There Goes The Neighborhood: Peter Drake, Siege of Syosset, 2007
I Want Always to Be Remembered in Your Heart, By Nir Hod (All Photos By Gail)
Israel-born artist Nir Hod’s current exhibit at Paul Kasmin Gallery manages to be both visually beautiful and subtly political — a combination that this painter/sculptor does very well.
Once Everything Was Much Better Even The Future features Hod’s monumental sculptural work of the same name, a snow globe containing a moving scale model of a pumpjack encased in oil and swirling “snow” comprised of gold-colored flakes, a reflection of the immense wealth generated by the oil trade.
Detail
Hod’s globe encompasses an idealized, isolated landscape of oil extraction in which production and consumption can peacefully coexist. When I was growing up in California in the 1960s and ’70s, these oil pumps were all over the place, so this piece inspired a great feeling of nostalgia for me.
Characteristic of Hod’s work is a dark glamour that is both alluring and menacing, exemplified in his three new series of paintings. In I Want Always to be Remembered in Your Heart, smoldering flames are superimposed on delicate flowers, alluding to the paradoxical coexistence of beauty and destruction.
Through a chroming process he transforms matte canvases into reflective, mirrored surfaces in the series All We Wish For, Let it Be and The Back Room.
In All We Wish For, Let it Be, the artist renders ethereal clouds and shattered glass, alluding to a cycle of destruction and rebirth.
The Back Room presents contrasting black and white scratches upon chrome surfaces emanating light. Both works underline the artist’s pursuit of the sublime as a place of pleasurable fear and forbidden desire.
The Worley Gig Highly Recommends This Exhibit.
Nir Hod’s Once Everything Was Much Better Even The Future will be on Exhibit Through October 25th at Paul Kasmin Gallery, Located at 515 West 27th Street in the Chelsea Gallery District.
When only word can truly express your true feelings, pick up (and shake) the F-Word Snow Globe, designed by Nora Ligorano and Marshall Reese! Available in the gift shop at the New Museum of Contemporary Art on Bowery. And there’s even a member discount!
UPDATE, July 13th, 2015: I found these in the Gift Shop at the Museum of Sex. Didn’t get the price. But they look to be of a comparable quality!
