Mushrooms, oysters, Tongues, and tulips are some of the iconic shapes French designer Pierre Paulin (1927–2009) was best known for creating. Having trained under Parisian designer Marcel Gascion, Paulin was influenced by the Scandinavian aesthetic as well as American pre-fabricated designs by Charles and Ray Eames, and Florence Knoll. Continue reading Eye On Design: Multimo Sofa By Pierre Paulin
Morris Hirshfield (1872 – 1946) began to paint at the age of 65, after retiring from a career making women’s coats, suits and slippers. The flattened, decorative forms of Inseparable Friends (1941) echo his garment-making work. Without distinguishing between the floor and the wall, Hirshfield creates a room through thee planes of shapes and patterns: the women at their mirror, the tasseled curtain above them, and the plant and shoes at their feet. While Hirshfield’s compositions are simplified and stylized, he aimed for meticulous, realistic detail and believed that his figures represented the human body “better than the camera can do.”
Photographed in the Museum of Modern Art in NYC.
You say you want Pink Things? I got yer Pink Things right here. The Spring edition of the Affordable Art Fair has come and gone from NYC, until it returns in the fall, and we had a ton of fun this year seeing many old friend and lots of exciting new artworks all priced to own! Affordable Art!
With so very many galleries exhibiting at the fair from all over the globe, we like to distill it down by choosing our favorite Pink Artworks and bringing them to your face, which will give you a good idea of the scope of painting, photography, sculpture and multi-media that finds its way into the two levels of the Metropolitan Pavilion when the AAF rolls into town. Though the fair is over for
now, you can still purchase many of these pieces, or others by the same artist, from the galleries via their brick and mortar locations, or websites. Continue reading Favorite Pink Artworks From the Affordable Art Fair, Spring 2017!
Mitchell-Innes & Nash is currently hosting the first major painting retrospective of Tom Wesselmann in New York since the artist’s death in 2004. Organized in partnership with the Tom Wesselmann Estate, the exhibition examines Wesselmann’s role as the great innovator of the American Pop generation and includes a dozen significant works spanning the artist’s career from 1961-2004. Gallery owner Lucy Mitchell-Innes explains that with this exhibition, they hope to show how Wesselmann has filtered the canonical subjects of art — still life, the nude and the landscape — through a unique and personal lens using the media and technical innovation of the sixties, seventies and eighties, offering new possibilities for painting.
Tom Wesselmann is one of the leading figures of Pop Art who used collage, assemblage and shaped canvases to usher in a new vocabulary of painting. He is best known for his career-spanning series, Great American Nude, which featured female figures in intensely saturated interiors.
The works in the exhibition highlight a number of techniques that Wesselmann pioneered, and which are largely unseen among his Pop contemporaries. In an interior still life from 1964, Wesselmann incorporates a functional fan and a clock into the canvas, (see image below) pushing the boundaries of collage and assemblage in a sly nod to the notion of the ‘represented’ object.
Collages from the 1960s feature cut-outs from advertising billboards. Also included in the show are Wesselmann’s steel-cut works (a technique he helped develop), molded plastic paintings (a technique borrowed from commercial signage and used here in the context of fine art for the first time), and his iconic shaped canvases.
Being a fantastic introduction to Tom Wesselmann (should you not already be familiar with his work) this is a very cool and worthwhile exhibit to add to your next art crawl during the month of May.
The Tom Wesselmann Retrospective will be on view through May 28, 2016 at Mitchell-Innes & Nash, Located at 534 West 26th Street, in the Chelsea Gallery District.
After a leisurely, scenic walk on the High Line, Geoffrey and I showed up fashionably late at the Jonathan LeVine Gallery for the opening reception of Erik Jones‘ new exhibit of collage paintings, Twenty Sixteen, which is the name of the year that we are in right now! By the time we got there, the place was really packed. Scroll down to see a photo of the hot crowd action! Continue reading Erik Jones, Twenty Sixteen at Jonathan LeVine Gallery