Broken bowls and cups rarely invite a second glance. In the works of Korean artist Yeesookyung (b. 1963), ceramic shards are given new life, transformed into monstrous and imposing forms that resemble creatures from another planet as seen in her series of Translated Vases (2017–2024).
In Buddhism, the Lotus symbolizes transcendence, as the flower emerges from stagnant water to bloom in bright colors. Here, the ceramicist Kawase Shinobu uses the clear blue celadon glaze known as seihakuji to capture the spiritual importance of a lotus bud. This vessel is designed to support burning incense sticks, with a lily-pad-shaped saucer to catch the falling ash.
Happy Thanksgiving, Dear Readers! I hope you have some kind of delicious feast planned for today which may or may not be preceded by a Cheese Plate! The one pictured here is by ceramic artist Lauren Cohen. This work was part of Lauren’s hilarious, immersive installation Brian’s Estate Sale at this year’s Spring Break Art Show. See more of her woks from that show at This Link! Bon Appetite!
Throughout his career, Robert Arneson (1930 – 1992) was outspoken about his disapproval of war. Concerned about nuclear threads, he created a series of works, depicting, military generals as monsters, inspired by aboriginal masks from New Guinea. Continue reading Modern Art Monday Presents: Robert Arneson, Ronny Portable→