While looking through my archives of street art photography, I noticed a few random photos that have dicks in them. This seemed funny to me, and I was ‘hard up’ (pun intended) for an idea, so I decided to make a post out of street art with dicks in it. I’ll add more pics of dicks to the post as time goes on. Because, why not? There are more dicks out there waiting to be discovered; of this I am quite sure. I do not know the artist responsible for the banana-as-dick fetish-themed piece above (it might even be an ad), but when you’re feelin’ it, who gives a shit?
Above Graphic and Most Photos By Kat Bentley, Except Where Noted
The Metropolitan Museum of Art has possibly the broadest collection of art in the world; spanning more than 5000 years of objects from across the globe — from the first cities of the ancient world to works being created today. In my 30 years of living in NYC, I’ve visited the museum maybe a hundred times, and I’ve barely even begun to explore its hundreds of galleries. While a dozen new exhibits open at The Met each season, offering no shortage of incentive to plan a visit, what can be really exciting is to discover the hidden works in the museum’s collection that you might otherwise walk right by and never notice. That’s one reason why I couldn’t pass up the opportunity to attend a press preview of a new Met tour called Unhung Heroes of the Metropolitan, offered by the popular Shady Ladies Tours. As you might infer by the cheeky name, Unhung Heroes explores male members in paintings and sculptures across the museum, and it is all kinds of crazy fun! Continue reading Discover Sexy Secrets of The Met On The Unhung Heroes Tour!
In Francis Picabia’s Selfishness (1947-48), colorful rounds of saturated paint surround a large, crudely rendered phallic shape. This relatively simple composition is energized by heavily encrusted impasto and gestural paint-handling. Built-up ridges of oil paint score the surface, giving the work a dramatic, almost frenzied topography. This sense of substrate activity speaks to Picabia’s ongoing play with surfaces, which here takes the form of accumulation and opacity. The material thickening on display in Selfishness was an artistic strategy shared by others in postwar Paris. Participants in the turn to abstraction known as Art Informel also created works with heavily textured surfaces, and they, too valued direct expression. This work’s erotic imagery finds its echo in Picabia’s contemporaneous illustrated letters, which were an important element of his artistic practice.
Photographed in the Museum of Modern Art as Part of the Exhibit, Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction.
On a recent, beautiful sunny Sunday, Geoffrey and I took a day trip on the Hudson River line via Metro North to Beacon, New York — about 90 minutes outside the city — to visit the Dia: Beacon Art Museum. This is one of the most fun things you can do to escape from Manhattan on a weekend day and you don’t even need a car! The Beacon train station is a 10 minute walk to the museum and they have signs pointing the way, so it is completely idiot proof.
Some of you with very good memories might recall that this photo — taken at André Saraiva’s Andrépolis exhibit at The Hole Gallery — was originally posted here back in the Summer of 2012, but had to be removed from the blog due to complaints by Google Ads, who thought it was endorsing some kind of Adult Toy. I don’t have Google Ads on this blog anymore, so I put it back up. Fuck those guys.