One of the great things about public art is how the viewer can have such a wholly unique experience of the piece depending on the time of day it is viewed. In the case of  Day’s End, the new, permanent sculpture by David Hammons (b. 1943), I saw it up-close for the first time at, well, day’s end. Watching the sun set through the sculpture and dip behind the New Jersey skyline was a beautiful thing to behold, especially as many of us are only just now able to walk outside free of masks for the first time in over a year.
Tag Archives: sunset
Pink Thing Of The Day: Dance of The Pacific Coast Highway at Sunset By Amber Cowan
Amber Cowan is a sculptress who works exclusively with recycled vintage glass, and her art is just phenomenal for its intricate beauty and imaginative qualities, combined with an irresistible nostalgic pull. The above tableau is entitled Dance of The Pacific Coast Highway at Sunset (2019) — was part of an exhibit of her work at NYC’s Heller Gallery, which just closed this past weekend.
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Modern Art Monday Presents: John Frederick Kensett, Sunset on the Sea
Disarming in its simplicity and stripped of all staging and framing devices, John Frederick Kensett’s Sunset on The Sea (1872) draws the viewer into a direct experience of nature in a depiction of a radiant sun suspended above the open ocean. Kensett resisted adding his characteristic small sailboats or landmasses to the composition; divorcing the scene from a specific location, he moved toward abstraction.
Seamlessly blending sea and sky, warmth and coolness, stillness and drama, the work seems to reverberate with Kensett’s earlier encounter with the atmospheric landscapes of the British artist JMW Turner, which the artist saw on his initial trip to London in 1840. Part of a group known as his Last Summer’s Work, it is probably Kensett’s most radical portrayal among his explorations of Connecticut’s coastal landscape and was found in his studio at the time of his death. The painting was mentioned at his memorial service, when it was described as “Pure light and water.”
Sunset on The Sea was Photographed in The Met Breuer (former home of The Whitney Museum), in Manhattan, where it is part of the Museum’s Inaugural Exhibit, Unfinished: Thoughts Left Visible. The piece is part of the permanent collection of the Metropolitan Museum of Art, also in New York City.
Pink Thing of The Day: Mary Heilmann, Sunset at the Whitney Museum
A distinguishing feature of the new Whitney Museum in the meatpacking district is this work by Mary Heilmann, attached to the northern facade of the building, which is called Sunset. A burst of bright pink, Sunset is a site specific installation that inaugurates the museum’s largest outdoor gallery and transforms it into a place of reverie, memory and leisure.
Mary Heilmann became known in the 197os for vibrant paintings that married taut, abstract forms with quivering line and vivid color. For more than thirty years, she has intermittently explored a stair-step motif bushed within rectangular fields or expressed through irregularly-shaped canvases, which happen to rhyme with the dramatic setbacks and grid lines of the Whitney’s new building. This serendipitous connection inspired Heilmann to enlarge a detail of one such painting and print it onto two large panels that playfully turn the building itself into her canvas and tweak its sharp geometries.
Heilmann’s intervention extends to a group of sculptural chairs scattered on the terrace like a shower of confetti. Adapted from furniture that she has displayed in homes and exhibitions, the chairs serve as elements in her larger composition and encourage visitors to interact with one another and the cityscape beyond.
Fatal Attraction: Photographs By Piotr Uklański at the Met
During our most recent Art Safari to the vast and spectacular Met, we were thrilled by Fatal Attraction, an exhibit of photography from the New York–based artist Piotr UklaĹ„ski (born Poland, 1968). This exhibition, the first to survey UklaĹ„ski’s photography, locates his work with the camera at the center of his artistic practice. Reveling in moribund or marginal artistic languages from a position at once ironic and sincere, the artist simultaneously subverts and pays homage to defunct modes of expression.
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