Ellsworth Kelly’s Colors for a Large Wall, with Fan, at MoMA (All Photos By Gail)
Confession: I am obsessive about taking photographs of art that includes no people in the frame. To achieve this goal requires great patience. There is no telling how long you will need to wait for one or more endlessly dawdling, selfie-snapping, oblivious art fans to GTF out of your way so you can get the shot. It is a character-builder, for sure.
Continue reading More Spy Pics of People Looking at Art
Photo By Gail
For Me as Warhol in Drag with Scar (2010) Gillian Wearing combined elements from two famous photo shoots of artist Andy Warhol (1928 – 1987): a 1981image of the artist in drag by Christopher Makos, and a visceral 1968 shot by Richard Avedon of Warhol displaying the freshly healed wounds to his torso resulting from a recent attempt on his life
Continue reading Modern Art Monday Presents: Gillian Wearing, Me as Warhol in Drag with Scar
Photo By Gail
Located near the Champs–Élysées, the city’s fame tree-lined avenue, Jardin de Paris (1901) was the summer location of the historic dance hall Le Moulin Rouge. A young Pablo Picasso pursued commercial work to sustain a living and produced this design as a speculative bid. The venue’s Catalan manager, Josep Oller, however, did not purchase it. Both the imagery and the style recall that of the iconic Montmartre artist of the 1890s, Henri de Toulouse-Lautrec, whose work Picasso emulated. Continue reading Modern Art Monday Presents: Pablo Picasso, Jardin de Paris
All Photos By Gail
Between 1959 and 1960 Gego (Gertrude Goldschmidt) and her partner Gerd Leufert spent a year in the United States. While in Iowa Gego created this three-dimensional work, titled Sphere (1959). The sculpture epitomizes her investigation of “Lineus Paraleles“ (parallel lines). Continue reading Modern Art Monday Presents: Gego, Sphere
Photos By Gail
Nick Cave is an American artist, educator, and messenger working between the visual and performing arts through a wide range of mediums including sculpture, installation, and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the LA police beating of Rodney King in 1991. Soundsuits camouflage the body, masking and creating a second skin that conceals race, gender and class, forcing the viewer to look without judgement. They serve as a visual embodiment of social justice that represents both brutality and empowerment.
Continue reading Eye On Design: Soundsuit #2 China Plate By Nick Cave